The Sackner Collection is mentioned as holding Guillot's work. -- Source of annotation: Marvin or Ruth Sackner.

This essay traces the history of concrete and visual poetry through time and geography, including poesia visiva, fluxus, lettrisme, futurism, pattern poetry, constructivism and vorticism. It was written as an introduction to an exhibition catalogue of the four artists/poets. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition was a retrospective of Miccini's collages from1962-1999. It also served as an Homage to Miccini. Giuseppe Chiari provided an acrostic poem as a dedication to Miccini on page 3. -- Source of annotation: Marvin or Ruth Sackner.

This anthology of artist books deals mostly with one of a kind works. -- Source of annotation: Marvin or Ruth Sackner.

Eugenio Miccini contributed an essay,"Mantova e la Poesia Visiva." -- Source of annotation: Marvin or Ruth Sackner.

This exhibition that was curated by Lucilla Sacca is subtitled "Firenze: Storia di una Rivoluzione Colta (1960-1980). In Ori's biography, it is mentioned that the Sackner Archive holds his works. The works in the exhibition catalogue are extensively annotated by the curator. -- Source of annotation: Marvin or Ruth Sackner.

In this book, Miccini reviews visual and sound poetry in Italy and introduces some newcomers in the field. -- Source of annotation: Marvin or Ruth Sackner.

This is also issue number 10 of Architettura e citta. -- Source of annotation: Marvin or Ruth Sackner.

This is an anthology of photographic portaits of artists/poets. -- Source of annotation: Marvin or Ruth Sackner.