Scope and Contents curry writes that Underwhich Editions began in 1978 as a consortium of publishers and poets gathered to publish the catalog for the 11th International Festival of Sound Poetry held in Toronto 1978. The group comprised Dean, Nichol, McCaffery, Truhlar Riddel, S. Smith, Dedora, & Dutton. Their first publication edited by McCaffery & Nichol was "Sound Poetry A Catologue," released in time for the festival. The audiographic series began in 1979 with seven titles emphasizing sound poetry up until 1983. Through the influence of Truhlar, music was introduced into the listings after 1983. curry provides an annotated bibliography of the recordings that were published as well as a three tape cassette bp Nichol recording of The Martyrology Books I-IV that was never published. This archive contains two similar versions of an introductory essay, one entitled "Cultural Clutter: The Needle, The Works," the other, "Needling Theehead with a Laser: Inder Which Works." -- Source of...

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This anthology Includes reprints of a selection of curry's publishing activities focusing on his rubberstampings of minimalistic and concrete poems of his own and his circle of poets. Dean comments: this making precious of the single poem was the result of necessity as much as esthetic deliberation; curry published within a finite small budget. This could have caused poor-quality production, i.e. Gestetner, offset or xerox. Instead it resulted in hand-stamp, hand-set rubber type, as his chosen (& unique) means of publication. His scaled down book remained both anarchic and typographically refined. -- Source of annotation: Marvin or Ruth Sackner.

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This is a digression that took place from curry's reading of bp Nichol's the martyrology conducted with Jennifer Books. -- Source of annotation: Marvin or Ruth Sackner.

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The book of the same title initially was published by Pulp Press in 1975. -- Source of annotation: Marvin or Ruth Sackner.

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This a reply to Maurice Mireau's letter, New Hope for Pimply Boys in Mondo Hunkamooga #7. -- Source of annotation: Marvin or Ruth Sackner.

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This piece was published in Rampike Vol.6 No.1. curry includes 5 handwritten Haiku poems by Hood (collaged onto pages) written as varients in House of Cards, Runaway Spoon & form the basis for curry's critical text. In a letter to the Sackners, curry notes that Jirgins (editor Rampike) "fucked it up by typesetting all the poems (including the bp Single letter translation!)(i'd provided him with a photocopy of bp's drawn version), rendering my discussion of Hood's handwriting superfluous..." -- Source of annotation: Marvin or Ruth Sackner.

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This is an unpublished article submitted to What magazine that contrasts bill bissett's book, "what," with the imaginary contents of What Magazine. bissett's book is also held by the Sackner Archive. The original typed manuscript was never returned from the magazine to curry. -- Source of annotation: Marvin or Ruth Sackner.

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This was the first draft of a unpublished manuscript planned for submission to What No.1, 1985. -- Source of annotation: Marvin or Ruth Sackner.

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This is an unpublished article written for the first issue of What Magazine. curry compared bissett's book, "What" to an imagined magazine of the same title. -- Source of annotation: Marvin or Ruth Sackner.

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This is a piece that was published in What No.2 1985 as an intoduction to works by Swede. curry makes the point that Swede is known as a Haiku poet as well as a writer of children's books. He comments in a letter to the Sackners that it was writtten blind & does not go well with the works of Swede that the editors selected. -- Source of annotation: Marvin or Ruth Sackner.

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This article appeared in What #2 as an introduction to Swede's work in the magazine. -- Source of annotation: Marvin or Ruth Sackner.