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Critical text

 Subject
Subject Source: Sackner Database

Found in 70 Collections and/or Records:

The Teachers & Writers Handbook of Poetic Forms / Padgett, Ron, editor ; Apollinaire G ; Ashbery J ; Basho ; Berrigan T ; DeCampos H ; Cangiullo F ; Creeley R ; cummings ee ; Dante ; Carroll L ; Finlay IH ; Fuller B ; Ginsberg A ; Goeritz M ; Herbert G ; Herrick R ; Huelsenbeck R ; Joyce J ; Kharms D ; Lear E ; Mallarme S ; Michaux H ; Morgan E ; Morgenstern C ; Ponge F ; Pound E ; Rimbaud A ; Rothenberg J ; Schwerner A ; Smith S ; Theocritus ; Thomas D ; Tzara T ; Williams E ; Coolidge C ; Gomringer E., 1987

 Item
Identifier: CC-27847-28982
Scope and Contents This book defines 74 basic forms of poetry, summarizes their histories, and quotes excellent examples. The essay on concrete poetry states that "concrete poems use space. They use sound. Instead of simply letting the words stand for something else, the words in the poem dramatize their meaning by the way they look. They draw attention to their physical appearance, ink on the page. The poem becomes a collage of words, letters, and other symbols that may or may not have something to do with the meaning we usually assign to them. [Concrete poets] see poetry as a visual of graphic art. They see it as something that can be abstract and that must be looked at in order to be understood. In trying to enhance the meaning of the poem, as well as to free the poem from what these poets see as its linguistic or verbal limitations, they have made typeface, symbol, shape, and the spatial relationships between letters, words and lines fundamental elements." -- Source of annotation: Marvin or Ruth...
Dates: 1987

The Theatre of Mixed Means / Kostelanetz, Richard ; Apollinaire G ; Artaud A ; Beckett S ; Brecht G ; Breton A ; Burroughs WS ; Cage J ; Duchamp M ; Ernst M ; Ginsberg A ; Hansen A ; Higgins D ; Joyce J ; Kaprow A ; Kepes G ; McLuhan M ; Samaras L ; Schneemann C ; Stern G ; Young L ; Zazeela M., 1968

 Item
Identifier: CC-32473-34047
Scope and Contents

This book is "an introduction to happenings, kinectic environments, and other mixed-media performances." Nine members of the 1960's avant garde discuss their works with Kostelanetz in the new theatre forms, including John Cage, Robert Rauschenberg, Allan Kaprow, Claes Oldenberg and La Monte Young. Richard Kostelanetz contributes two essays interpreting the new theatre in terms of its historical, social and aesthetic meaning. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1968

The Visible Word: Experimental Typography and Modern Art, 1909-1923 / Drucker, Johanna ; Albert-Birot P ; Apollinaire G ; Marinetti FT ; Tzara T ; Zdanevich I ; Zwart P ; Schwitters K ; Isou I ; Picabia F., 1994

 Item
Identifier: CC-16083-16425
Scope and Contents

This critical text focuses on three themes in the late 19th and early 20th centuries: 1) the relation of experimental typography used by the artistic avant garde to linguistic theories, 2) the divergence of experimental typography from visual images, and 3) the work of four influential practitioners of experimental typography and their debt to advertising copy, viz., Marinetti, Apollinaire, Tzara, and Zdanevich. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994

[Untitled] / Apollinaire, Guillaume., 1969

 Item
Identifier: CC-24734-25187
Scope and Contents

Nearly complete listing of works and documents. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1969