The artist books depicted in this catalogue consist both unique and limited editions. The first section of the book includes an excellent desciptive section on the character of artist books. Further, there are several examples of books held by the Sackner Archive depicted in this catalogue including Dautricourt's 'Black Books,' Gut's 'Libro-Seme,' and Ulrichs' 'Concrete Poetry.' -- Source of annotation: Marvin or Ruth Sackner.

The early work of Giambarresi consists of representational drawings combined with structured typographic additions. In the 1970's, the typographic elements become dominant. Mirella Bentivoglio organized this catalogue of works from 1963 to 1998 and contributed an introductory essay in which she describes Giambarrese's style as "alphabetical icongraphy." -- Source of annotation: Marvin or Ruth Sackner.

This is a historic survey of women that have used language in art as well as women who are concrete and visual poets. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition of 83 artist books depicted in color by Italian artists/poets was curated by Franco Spena. Apolloni's book object "Ti amo all'infito" (1999) of a wooden closed suitcase with a painted calligraphic caption is the same as that held by the Sackner Archive with a different caption. Another copy of Elizabetta Gut's "Little Book in a Cage" (1981) that is held by the Sackner Archive is depicted on page 74. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue features the following 12 poets and artists: Accame, Bentivoglio, Carrega, Ferrari, Guarneri, Mussio, Pignotti, Pomodoro, Spatola, Valentini, Vermi, and Xerra and includes an original work by each of them in an accompanying portfolio. The book consists of a photographic portrait of the poet/artist, a statement by the poet/artist about his/her work, brief texts about the work from critics, reproductions of representative works, and a brief biography. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition was curated by Lamberto Pignotti and Dario Spera. The works of Vittorio Fava are listed as being in the Sackner collection. -- Source of annotation: Marvin or Ruth Sackner.

The Gnazzo poem in this exhibition is also depicted as one of two cards in the figura/partitura exhibition catalogue hels in Salerno in 1982. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue includes essays by Axel Marwuart, Siiegfried J. Schmidt, Klaus Peter Dencker, Bob Cobbing, Jeremy Adler, Manfred Sundermann, and Mirela Bentivoglio dealing with concrete, visual and sound poetry. The series of color photographs by Michael Badura depicted o pages 13 & 14 were held by the Sackner Archive but were damaged by light and had to be destroyed. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition featured Bentivoglio's stone book objects. It also included collages, prints, and poem objects. A portfolio, "Monument" and a poem object, Pagina/finestra, that are also held by the Sackner Archive were depicted in this catalogue. -- Source of annotation: Marvin or Ruth Sackner.

Jerome Peignot anf Mirella Bentivoglio contributed critical essays to this catalogue. -- Source of annotation: Marvin or Ruth Sackner.

This is the first exhibition of visual poetry in Greece. Giovanni Fontana contributed a critical essay. A short biography of each participating artist is included. -- Source of annotation: Marvin or Ruth Sackner.