Critical text
Found in 28 Collections and/or Records:
Sweet Dreams; contemporary art and complicity, 2005
The Alphabetic Labyrinth: The Letters in History and Imagination / Drucker, Johanna ; Fludd R ; Mallarme S ; Marinetti FT ; Zdanevich I ; Abulafia A ; Derrida J ; Gill E ; Maurus H ; Kruchenykh A ; Lissitzky E ; Morris W ; Peignot J ; Picasso P ; Porphyrii PO ; Rimbaud A., 1995
Drucker's historical research text traces "the chronology of the discovery of the origins and development [of the alphabet] and the concepts of alphabetical symbolism through the course of human history and tradition." Chapters include the Alphabet's Origins and its place in Classical History, Gnosticism and Hermeticism, Calligraphy and Alchemy, The Kabbalah, Renaissance, 18th Century, 19th Century, and 20th Century. -- Source of annotation: Marvin or Ruth Sackner.
The Kenning Anthology of Poets Theater 1945-1985 / Killian, Kevin, editor ; Brazil, David, editor ; Spicer J ; Olson C ; Ashbery J ; O'Hara F ; Atkins R ; Corso G ; Duncan R ; McClure M ; DiPrima D ; Koch K ; MacLow J ; Thomas L ; Waldman A ; Jones L ; weiss r ; Padgett R ; Weiner H ; Brainard J ; Andrews B ; Waldrop K ; Waldrop R ; Holman B ; Rosenthal B ; Benson S ; Greenwald T ; Harryman C ; Perelman B ; Robinson K ; Grenier R ; Bernstein C ; Drucker J ; Elmslie K ; Scalapino L ; Acker K ; Cha THK., 2010
The Visible Word: Experimental Typography and Modern Art, 1909-1923 / Drucker, Johanna ; Albert-Birot P ; Apollinaire G ; Marinetti FT ; Tzara T ; Zdanevich I ; Zwart P ; Schwitters K ; Isou I ; Picabia F., 1994
This critical text focuses on three themes in the late 19th and early 20th centuries: 1) the relation of experimental typography used by the artistic avant garde to linguistic theories, 2) the divergence of experimental typography from visual images, and 3) the work of four influential practitioners of experimental typography and their debt to advertising copy, viz., Marinetti, Apollinaire, Tzara, and Zdanevich. -- Source of annotation: Marvin or Ruth Sackner.
The Word Returned: Artist Books by Ken Campbell / Campbell, Ken ; Drucker J ; Fairman E., 1996
This book includes a complete isting of Campbell's books together with his comments on how and why each book was produced. -- Source of annotation: Marvin or Ruth Sackner.
Theorizing Modernism / Drucker, Johanna ; Johns J ; Duchamp M ; Warhol A ; Kruger B., 1994
Part of the series Interpretations in Art, this book is subtitled "Visual Art and the Critical Tradition." -- Source of annotation: Marvin or Ruth Sackner.
[Untitled] / Broaddus, John-Eric ; Drucker J ; Zwicker T ; Hubert JB ; Hubert RR ; Williams J., 2001
Jane Willams, Curator of The Arts of the Book Collection at Yale University Library, wrote an introduction to the catalogue and included a personal note to the Sackners for their support. Johanna Drucker contributed an essay "Theatrical Spaces: The Books of Artist John Eric Broaddus." Renee Riese Hubert and Judd D. Hubert wrote "John Eric Broaddhus as a Fashioner of Books." A separate check list and letter from Arthur J. Williams are included. -- Source of annotation: Marvin or Ruth Sackner.
Verbal Hothouse: Symbols to Stories / Drucker J ; Brown B ; Genin A ; Robinson BL ; Hutchins E ; Seille G ; Jess ; Badura M ; Barron S ; Phillips T ; Kriwet F ; Jackman S ; Kolar J ; Cortot J ; Guerryam A ; Hartmann W ; Isou I ; Rose P ; Furnival J ; Hubaut J ; Horndeski G., 1994
This exhibition was curated by Kate Rawlinson and Wallace Harper with works from the Sackner Archive. It was structured into four groups of visual/verbal works: ideograms, alphabets, words and stories. Drucker provided an outstanding introductory critical essay to the works in the exhibition despite being able to work with photographic reproductions only. -- Source of annotation: Marvin or Ruth Sackner.