Scope and Contents

The book reproduces several examples of concrete poetry and reprints several critical essays. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The book reproduces several examples of concrete poetry and reprints several critical essays. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The author does a critical tabular and diagrammatic analysis of selected concrete poems by Gomringer, Jandl, Dohl, Thomkins, Hesse, Bremer, and Schauffelen. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Cluver analyzes the following Concrete Poems: Saroyan's "MM," Gomringer's "Silencio," Xisto's "Epithalamium II," Herrmann's "K8," Pignatari's "LIFE," Plaza's "Organismo Aureo," DeCampos' "Eis Os Amantes," Cage's "Chance: Change," and DeBarrios' "Lingua." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Huth discusses silence in the context of Gomringer's poem, "Silencio" and Cage's music. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This exhibition dealt with concrete poems installed in public places. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Frank Fricker provides an historical introduction of concrete poetry, optical, kinetic and phonic poetry. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Cobbing discusses the early concrete poems of Ian Hamilton Finlay, John Furnival, Kenelm Cox, Dom Sylvester Houedard, and Tom Edmonds in depth. This essay is unbpubished. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Ignacio Gomez de Liano contributes an essay "La nueva poesia y los problemas de la Estetica contemporanea." Maria Aurora Marques writes about "Poesia Experimental en Espana" and Maria Lluisa Borras describes "La Poesia Visual en Cataluna." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

In an introductory essay, Mary Ellen Solt traces concrete poetry historically and analyzes spcifically the work of Lax as related to Eugen Gomringer, Augusto De Campos and Ian Hamilton Finlay. Michael Basinski and Robert Bertholf provide an essay on "Zines," a generic term for a self-generated, cheaply produced (folded and stapled photocopied sheets), radically independent magazine. The exhibition included works of 167 international, concrete and visual poets. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Eugen Gomringer provided an introduction. One of the poems entitled "persilschein" that is depicted, the word is a German idiom meanung "Clean Bill of Health" The top line refers to the Nazi brown shirts who after WWII were denazified according to evidence present to the allies and now became "white shirts."Wikipedia: Kurt Adolf Mautz (* June 1st 1911 in Montigny-les-Metz , "  November 2000 in Wiesbaden ) was a German literary scholar and writer . He was the father of actor Rolf Mautz .Mautz studied German literature, philosophy and history, first from 1930 to 1933 in Frankfurt am Main, among others in the then little-known lecturer Theodor W. Adorno , from 1934 in Giessen at the Catholic priest Theodor Steinbuchel , the one there Concordat Chair for Philosophy held. "The Nazi seizure of power here seemed less noisy than being run in Frankfurt," Mautz wrote later in his novel The key Urfreund. "I ... took care about nothing but my dissertation." Mautz in 1936 with a study of Max...

Scope and Contents

The book includes essays by the authors as well as by Peter Daniel. It includes reproductions of silkscreened concrete poems on linen by Gomringer presumably published by Conz Editions. It also includes nine collages by Peter Daniel including "Vernetzung" that is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This issue consists of essays by Gomringer on concrete poetry. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This issue consists of essays by Gomringer dealing with concrete poetry. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The complete issue of this periodical containing the reprints is also held by the Sackner Archive. The duplicate copy is unsigned. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The complete issue of this periodical containing the reprints is also held by the Sackner Archive. The duplicate copy is unsigned. -- Source of annotation: Marvin or Ruth Sackner.