Critical text
Found in 31 Collections and/or Records:
Scrittura Visuale / Morrocchi, Giuseppe ; Mallarme S ; Rimbaud A ; Morgenstern C ; Apollinaire G ; Marinetti FT ; Sanzin B ; Soffici A ; Ray M ; Belloli C ; Pignotti L ; Solt ME ; DeCampos A ; Kolar J ; Williams E ; Ruhm G ; Balestrini N ; Miccini E ; Isgro E ; Perfetti M ; Garnier P ; Tzara T ; Schwitters K ; Gomringer E., 1978
In this book, Marrocchi provides an extensive analysis of Mallarme's "Un Coup de Des." The final section of the book depicts reproductions of concrete and visual poems. -- Source of annotation: Marvin or Ruth Sackner.
The Computer and Visual Poetics / Provenzo, Eugene F. Jr.; Holst, Eric; Carroll L; Mallarme S., 1992
Describes hypertext as an artform. -- Source of annotation: Marvin or Ruth Sackner.
The History of Performance Art According to Me / Martha Wilson; S Mallarme; FT Marinetti; G Apollinaire; V Mayakovsky; J Holzer; D Higgins; L Weiner; R Johnson., 2005
This is a copy of a lecture given by Martha Wilson. It includes a listing of the slides she used to illustrate her historical points or reference. -- Source of annotation: Marvin or Ruth Sackner.
The History of Performance Art According to Me / Martha Wilson; S Mallarme; FT Marinetti; G Apollinaire; V Mayakovsky; J Holzer; D Higgins; L Weiner; R Johnson., 2005
This is a copy of a lecture given by Martha Wilson. It includes a listing of the slides she used to illustrate her historical points or reference. -- Source of annotation: Marvin or Ruth Sackner.
The History of Performance Art According to Me / Wilson, Martha; Mallarme S; Marinetti FT; Apollinaire G; Mayakovsky V; Holzer J; Higgins D; Weiner L; Johnson R., 2008
This is a copy of a lecture given by Martha Wilson. It includes a listing of the slides she used to illustrate her historical points or reference. -- Source of annotation: Marvin or Ruth Sackner.
Typographic Foregrounding / Peer, Willie van; Apollinaire G; Mallarme S; Carroll L; Schwitters K; Herbert G., 1993
Un Coup De Des Jamais N'Abolira Le Hasard / Mallarme, Stephane ; Daisy Aldan, translator., 1956
This translation, authorized by Gallimard (publishers) and Mallarme's heirs as the first in English, was first published in Folder No.4, 1956, Tiber Press. This periodical is also held by the Sackner Archive. According to Aldan, each page of the poem forms an ideogram -- an image of whiteness of sky and ocean, storm waves,crests and troughs, male and female, wing and bird, sail and boat, etc. The four themes, UN COUP DE DES, JAMAIS, N'ABOLIRA, AND LE HASARD are equivalent to four movements of a symphony. They symbolize many phases of life and time, e.g., four divisions of a day, four seasons, four stages of total time, etc. and are an important part of the pattern that unifies the poem. -- Source of annotation: Marvin or Ruth Sackner.
Un Coup De Des Jamais N'Abolira Le Hasard / Mallarme, Stephane ; Ronat, Mitsou ; Papp, Tibor ; Montels B ; Miniere C ; Dome P ; Nagy P., 1980
Consists of two soft cover book; one reprints the 1914 edition of Un Coup De Des. The other contains eleven related works and critical texts by various writers (ending with Mallarme's "Observation Relative Au Poeme") including Mitsou Ronat and Tibor Papp, who presented and realized this edition. Some of these contributions are adaptations of Mallarme's poem in more visual and concrete poetic presentations. The cover of the portfolio is embossed with a red, tilted square reminiscent of Malevich or Lissitzky. This copy is from the ordinary edition, size unspecified. Forty-eight lettered and numbered copies were printed on Richard de Bas paper. -- Source of annotation: Marvin or Ruth Sackner.
Un Coup De Des Jamais N'Abolira le Hasard/Dice Thrown Never Will Annul Chance / Mallarme, Stephane ; Brian Coffey, translator., 1965
In his introduction, Brian Coffey points out "that there existed many correspondences between Un Coup De Des and Finnegan's Wake." Joyce in fact possessed a copy of the 1914 edition of the poem and it may have influenced his work. This translation follows the layout of the 1914 edition of the poem. The full tirage is not provided but probably numbers about 1000 copies. -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices: Manuscript of Book Version / Weiss, Irving; Herbert G; Herrick R; Marvell A; Mallarme S; Blake W., 1994
Words and the Images, The: Text and Image in the Art of the Twentieth Centur / Woorden en de Beelden, De: Tekst En Beeld in De Kunst Van De Twingigste Eeuw / Jan Brand, curator ; Nicolette Gast, curator ; Robert-Jan Muller, curator ; Mallarme S ; Marinetti FT ; Apollinaire G ; Depero F ; Werkman HN ; Lissitzky E ; Ben ; Broodthaers M ; Roth D ; Finlay IH ; Chopin H ; Ruscha E ; Dwyer N ; Holzer J ; Kruger B ; Gibbs M ; Goncharova N ; Schwitters K ; Picabia F ; Bonset I ; deSaga P ; Kruchenykh A ; Khlebnikov V ; Apollinaire G ; VanDoesburg T ; Stepanova V ; Balla G ; Picasso P ; Braque G ; Huelsenbeck R ; Hausmann R ; Ernst M ; Crotti J ; Hoch H ; Magritte R ; Miro J ; Breton A ; Dotremont C ; Appel R ; Shiomi M ; Young L ; Maciunas G ; Brecht G ; Williams E ; Paik NJ ; Filliou R ; deRidder W ; Kabakov I ; Johns J ; Hains R ; Kosuth J ; Nauman B ; Broodthaers M ; Indiana R ; MacLow J ; Mayer HJ ; DeVree P ; DeRook GJ ; Beuys J ; Twombly C ; Baldessari J ; Barry R ; Hulten P ; Weiner L ; General Idea ; Bloom B ; Wool C ; Spero N ; Baxter G ; Prince R ; Lum K ; Staeck K ; Polke S ; Penck A ; Baumgarten L ; Jenney N ; Daniels R ; Huber T ; Rollins T+KOS ; Basquiat JM ; Dokoupil GJ ; Diamond J., 1991
This catalogue covers "Text and Image in the Art of the Twentieth Century," in four sections, 1900-1940, 1940,-1970, and 1970-1990 and contains numerous reprinted essays as well as those written especially for the exhibition. Topics include Concrete and Visual Poetry, Language relating to Fluxus and Dada, and texts on Marcel Broodthaers, A.R. Penck, Neil Jenney, Nancy Dwyer, Tim Rollins and KOS, Ken Lum, and Barbara Kruger among others. -- Source of annotation: Marvin or Ruth Sackner.