The presentation is done in the form of a scrapbook. -- Source of annotation: Marvin or Ruth Sackner.

Exhibited in Visualog 2, San Luis Obispu, California. The exhibition was curated by Karl Kempton. This book consists of scores of sound poems. -- Source of annotation: Marvin or Ruth Sackner.

This work was first published by Ganglia Press in mimeographed form as the Singing Hands Series No.3 in 1966 (held by Sackner Archive). The present work was published as a component of bp Nichol's bookwork, "bp" by Coach House press in 1967. Nichol provided instructions on the back cover for burning this booklet. Another copy was published by fingerprinting inkoperated in 1992 (also held by the Sackner Archive). -- Source of annotation: Marvin or Ruth Sackner.

This balanced piece charts "the nature of historical time" within a six pointed star that describes the manifestation of civilization and a horizontal graph that states the nature of historical and spiritual time. The elements are balanced left to right and top to bottom throughout the piece. -- Source of annotation: Marvin or Ruth Sackner.

This is the first book published by Andrews. In it, he provides a definition of language poetry, viz., a) fragmentation and quality of words other than (and along with) their meaning, b) stress on texture, sound, rhythm, space and silence, c) less "content" (in the old sense) but hopefully the "language" becomes the content and d) the "individual" words have meanings and associations but these are not yoked together and aimed "outside the poem" at a single externally applied meaning for a poem as a whole. -- Source of annotation: Marvin or Ruth Sackner.

The CD is a silent kinetic piece involving the movement of two circles with varied color schemes. Bertand was born in 1937 and lives and works in Paris, France. The book appears to relate the kinetic movements on the CD. -- Source of annotation: Marvin or Ruth Sackner.

Given to the Sackners at the Yale University Portuguese Concrete Poetry Symposium (1995) organized by Keith Jackson and Johanna Drucker. De Melo e Castro utilized typewritten punctuations, brackets, and parentheses of different dimensions among the words to cause the reader to interact with his/her own words thereby creating another meaning. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition was curated by Giovanni Fontana. -- Source of annotation: Marvin or Ruth Sackner.

The words printed on the card correspond to the actual objects in the case. They are as follows: flash (light bulb); seer (figure in yoga position); AHA (blank booklet); seek (key); sigh (beads spelling sigh); find (compass). -- Source of annotation: Marvin or Ruth Sackner.

Consists of a small drawing (u.l.) mapping "il luogo dell'espeimento," an empty graph (l.l.), and 4 circles tracing mente, logica and mito (r.). -- Source of annotation: Marvin or Ruth Sackner.

Since the 1970's, Isaiah Zagar has covered more than 50,000 square feet of Philadelphia with stunning mosaic murals. In A Dream is a documentary feature film that chronicles his work and his tumultuous relationship with his wife, Julia. It follows the Zagars as their marriage implodes and a harrowing new chapter in their life unfolds. The metal figurine and poster were designed by Isaiah Zagar. -- Source of annotation: Marvin or Ruth Sackner.

Image depicts acupuncture points on the body. -- Source of annotation: Marvin or Ruth Sackner.

. Exhibitied at Gaard's retrospective at the Walker Art Center, Minneapolis, MN in 2012. The frame was made by the museum. -- Source of annotation: Marvin or Ruth Sackner.