Consists of original collage made from colored papers and four black & white prints made from the collage by a photocopier technique. -- Source of annotation: Marvin or Ruth Sackner.

This is Finlay's first book of concrete poetry based upon a typed layout. Sixtenn poems are printed in red color. -- Source of annotation: Marvin or Ruth Sackner.

The theme is Baroni's Stickerman Museum. -- Source of annotation: Marvin or Ruth Sackner.

Burtner placed six small squares on eight rows cut from magazines with the page number 13 on each square. The cut up technique, first used by William Burroughs, has inspired the work of many visual poets. Part of his name appears on the second square from the left, first row. Duchamp invented found art, and his name appears in the second square from the right, last row. -- Source of annotation: Marvin or Ruth Sackner.

A page from a periodical dealing with a political issue in Wales is cut jaggedly down the center. The printed black name, Wales, is repeated in its opening with progressive enlargement of the typeface dimensions. The uppermost "Wales" is printed in red, large capital letters. On the verso, the caption, "subscribe to Second Aeon" is printed in handwritten black letters. -- Source of annotation: Marvin or Ruth Sackner.

Barbera was a student in the New World School of the Arts in Miami and was inspired to make this collage when she saw the exhibition "Visual Hothouse" in the Centre Gallery MDCC, that was on loan from the Sackner collection. -- Source of annotation: Marvin or Ruth Sackner.

This book commissioned for "The Beauty In Breathing" exhibition was created utilizing a trade edition book as a support structure. Barron composed poems and utilized poems from other poets along with found text. She placed them in the layers of the book, e.g.,"Twisting silence into words, my shrouded shadow sucked deep of a breath of emptiness, to shriek into its own ear," (S.B.) "what have you done to the garden that was entrusted to you?" (A. Machado) and "Breathe in a mouthful of dust..." -- Source of annotation: Marvin or Ruth Sackner.

Helmes cut up pages from periodicals that had offset word and calligraphic content and arranged them into new forms. -- Source of annotation: Marvin or Ruth Sackner.

This is a minimalist image in which the letters cannot be distinguished. -- Source of annotation: Marvin or Ruth Sackner.

Baroni notes "this poem was composed watching TV on 29 Dec. 1983 Hr. 9:30-11:45 PM. It is reproduced in Doc(k)s No.71, 1985, a periodical held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The box was made by sloy's husband, Nicholas. -- Source of annotation: Marvin or Ruth Sackner.