Fragmented text
Subject Source: Sackner Database
Found in 204 Collections and/or Records:
Christmas Greetings / Cobbing, Bob; Pike, Jennifer., 1970
The author is also known as Jennifer Cobbing. -- Source of annotation: Marvin or Ruth Sackner.
Collected Poems Volume Nine: Lame Limping Mangled Marked Mutilated, 1986
David Barton's introductory essay describes Cobbing's work from 1942 to 1986 as the discovery of new sound and movement in poetry. The works reprinted in this book are mainly abstract xerox images from which Cobbing performs sound poetry. Examples of Cobbing's works in "Destruction in Art Movement," some of which are held by the Sackner Archive are also included. Cobbing denotes his mimeograph (a subclassification of "xerox art" in Archive) as duplicatorprints. -- Source of annotation: Marvin or Ruth Sackner.
coloured noise, 1995
Taken from pete spence's Archive 1998. -- Source of annotation: Marvin or Ruth Sackner.
Congress Yourself, 1996
The cover is a postcard of the Acapulco Hotel, the Baroni family hotel where Vittore works. -- Source of annotation: Marvin or Ruth Sackner.
Continuazione. No.f , 1970
[Coup-Gramme], 1987
This print appears to have been made for a periodical since the verso depicts two works by other artists. -- Source of annotation: Marvin or Ruth Sackner.
Coupe Gramme , 1987
Covent Garden Broadsheet: Beethoven Today. No.1, 1971
Designated Broadsheet No.1. -- Source of annotation: Marvin or Ruth Sackner.
Cover Design for Neue Texte No.2: Integration Alone is not Enough Marco Movies Natter I II, 1969
[Crumpled block of Hebrew writing], 1985
Cuts, 1987
The collages constitute the original artwork of illustrations for the book by Malcolm Bradbury "Cuts" which is held by Sackner Archive. Cuts refers to U.K. governmental 'cuts' of the budget. -- Source of annotation: Marvin or Ruth Sackner.
Da Serie: Exercicios de Caligrafia [large prints], 1983
dal canguro all'aithyia (o come farsi scrittura), 1981
dal canguro all'aithyia (o come farsi scrittura) [with insert], 1981
One of the typed poems is a concrete poem. -- Source of annotation: Marvin or Ruth Sackner.
dbqp, No. 225: water vapour [blue], 2005
This copy is printed on light blue papercard stock. One of the poems "waTer vaPour" in this set was commented upon by Bob Grumman in his book "From Haiku to Lyriku" (2007). "Anyway, here's a clue: think lower case uppered. Remember gas expands." -- Source of annotation: Marvin or Ruth Sackner.
dbqp, No. 225: water vapour [white], 2005
This copy is printed on white papercard stock. One of the poems "waTer vaPour" in this set was commented upon by Bob Grumman in his book "From Haiku to Lyriku" (2007). "Anyway, here's a clue: think lower case uppered. Remember gas expands." -- Source of annotation: Marvin or Ruth Sackner.
DE BERNADI Pagina 1980, 1980
Dear Marvin,, 1986
The recto depicts a collaged, torn, fragmented 50 lira bill surrounded by fragmented letraset letters. The verso contains a message to Marvin Sackner regarding his activities. -- Source of annotation: Marvin or Ruth Sackner.
