Wolf writes that "the Asian appearance of the text is created by overprinting a German text, inspired by stories told by the artist's German speaking son, who lives as a journalist in Hong Kong." Five distinct, folded booklets are fastened to the front (black) and back (red) covers; there is no spine. The book is wrapped with 2 colored paper tapes which are held by the long wooden stick. -- Source of annotation: Marvin or Ruth Sackner.

The poem is slanted downward to the right and translates as "My Horizon." Designated as blatt 55.78. -- Source of annotation: Marvin or Ruth Sackner.

The poet describes his work as visual/musical rhythms. The left pages are mostly composed of punctuation marks of varied type dimensions and the right pages are mostly poems with arrangements of words in clusters. Also designated Seeing Eye ooks Series II, Book 2. Some of the images in this book are also printed Sandri's "Capitolo Zero." a book also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Each print consists of a photocopied image of a ink dot matrix printed computer image. Reed Altemus is the publisher of Live Matter. -- Source of annotation: Marvin or Ruth Sackner.

This book object consists of black and gray printed text and labyrinths between plexiglas on fold-out pages. The opened object has a labyrinth structure. -- Source of annotation: Marvin or Ruth Sackner.

Consists of neologisms and calligraphic equivalents in a made-up language. -- Source of annotation: Marvin or Ruth Sackner.

Taken from pete spence's Archive 1998. -- Source of annotation: Marvin or Ruth Sackner.

Taken from pete spence's Archive 1998. -- Source of annotation: Marvin or Ruth Sackner.

The collaged elements on the hat are taken for covers of old paperback novels. -- Source of annotation: Marvin or Ruth Sackner.

Designated minibooks number nine. One copy is a varient in that the size of the booklet is smaller than the other two copies. -- Source of annotation: Marvin or Ruth Sackner.

Object is composed of a book with blank black pages and a small plastic reading lamp covered with letraset letters. -- Source of annotation: Marvin or Ruth Sackner.

The penultimate line states "This is a sad poem by Vittore Baroni." -- Source of annotation: Marvin or Ruth Sackner.

Commissioned for "The Beauty In Breathing Exhibition." A human silhouette painted on a panel silently points out a chest x-ray to another figure to emphasize the physiologic importance of breathing. Behind the door, a telephone is placed adjacent to a network of printed and handwritten, torn and fragmented texts appearing as a gigantic speech bubble (reminescent of a cartoon) to suggest babble, dependent on breathing, eminating from many telephone communications. The contrast is a metaphor for the title of this work. Five of the images show the current istallation as doors leading to one of the Sackners bathrooms, the sixth shows the original free standing installation. -- Source of annotation: Marvin or Ruth Sackner.

Includes several texts from 1965 to 1968 that have been reworked and new texts from 1972 to 1993 that were not previously published. -- Source of annotation: Marvin or Ruth Sackner.