Scope and Contents

Designated Studies in Concrete Poetry No.3. Includes sections on definitions, historical statements & manifestos, as well as chronologies of concrete and sound poetry. The book was first compiled in 1971 to coincide with the Stedelijk Museum's exhibition "?Concrete Poetry" but funding could not be obtained for publication. Additions to the book were continued until its publication in 1978. This is the first edition. The chronolgy was written by Dom Sylvester Houedard, Jeremy Adler and Dick Higgins. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This is also designated Writers Forum Series Studies in Concrete Poetry Number 3. In addition to examples from international concrete poets, the anthology cites chronologies of visual poetry and sound poetry from 1700 BC to 1978. Includes sections on definitions, historical statements and manifestos, concrete aspects of poetry, sound poetry, semantic poetry, myths of concrete poetry. Examples of poems from about 350 authors are reproduced. This is the third printing of the first edition.This reprinting under guidance by William Cobbing, Bob Cobbing's grandso, has an added introduction -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book is a collection of reprints of several situationist and related periodicals and books including Reflex, Cobra, Ion, Ur, Internaationale Lettriste, Potlach and Eristica. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

GLOUP (GLOUcestershire grouP) signifies name given by Jonathan Williams to group of concrete poets living in the west of England, mainly in Gloustershire, including Dom Sylvester Houedard, John Furnival and Kenhelm Cox. WOUP (Westminster grOUP) is name given by Bob Cobbing and Peter Mayer to group of concrete poets living in London, mainly in the city of Westminster, including Cobbing, Mayer and Tom Edmonds. This anthology presents five works by each the poets. One copy has a yellow papercard cover, the other an orange one with a tear. Tom Edmonds who died at age 27 years was a member of the group; the Sackner Archive holds three of his typewriter drawings. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This is a survey of medieval, Latin shaped poetry with critical text. Several pages by Rabano Mauro (Hrabamus Maurus) are reproduced from a book that is also held by the Sackner Archive. The marginata was inserted by Dick Higgins, the previous owner of this book. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The Sackner Archive lent the majority of the typewriter and plastic poems for this publication. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

First printing. Bory's introduction traces the history of the concrete poetry movement and its aesthetic. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Although his inscription alludes to a second edition, this was not meant to be. In this first edition, first printing, Higgins tells the history of pattern poetry, documenting more than 2000 works. He divides the book by chapters such as Language and Literature, e.g., Greek, Latin, Hebrew, Hungarian, Italian, French, German, Scandinavian, Dutch and Flemish, British, Hispanic, Polish, and Slavic. He also has a chapter on Languages outside European such as Far East, Citrakavyas and other Indian languages, Islamic, and Languages in which no pattern poetry has been reported. In another chapter, he descibes Acrostics, Telestics, Mesostics, Lapidary Inscriptions, Leonine Verse, Magical Inscriptions and Formulae, Mathematical Arrays and Poems, Musical Analogues of Pattern Poetry, Proteus Poems, Rebuses, Shaped Prose, and Sound Poetry. De. Herbert Francke contributes a chapter on Chinese Pattern Texts and Dr. Kalanath Jha on Sandscrit Citrakavyas. Higgins' glossary of terms follows...

Scope and Contents

This catalogue provides an anthology of Italian contemporary visual poetry along with statements by the contributing poets. Stored in Carrega box and reference shelf. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The exhibition was based upon the "Metamorphoses des Kunstlerbuches" that was presented as part of Documenta VI in 1977 in Kassel, West Germany. The text was written in German by Rolf Dittmar and translated to English and Farsi for this catalogue. -- Source of annotation: Marvin or Ruth Sackner.