Blaudszun's etching "Der Blaue Herbst" is held by the Sackner Archive and is reproduced and described by the artist. This catalogue includes a section that features the work of Rixdorfer Group. -- Source of annotation: Marvin or Ruth Sackner.

The artist book exhibition at Documenta 6 is decribed. -- Source of annotation: Marvin or Ruth Sackner.

This book is his laureate thesis. This second volume consists of a large number of photocopied illustrations to complement Volume I. The first section features international concrete poems, the second section Italian concrete poems, the third section predominantly Italian poesia visiva and the fourth section calligraphic visual poems. Miglietta folows these illustrations with analysid and critical comments on these poems.This thesis concludes with a listing of the birthdates of the poets and a bibliography. -- Source of annotation: Marvin or Ruth Sackner.

Cluver contributed an essay, "On Representation in Concrete and Semiotic Poetry." Eric Vos wrote about "Visual Literature and Semiotic Conventions." Eduardo Kac's wrote on "Holopoetry and Hyperpoetry." Charlotte Schoell-Glas contributed "The Medium is the Message: Ian Hamilton Finlay's Garden Little Sparta,"an essay that reviewed the political side of Finlay's work. David Scott described the postage stamps of Donald Evans in "Semiotics and Ideology in Mixed Messages: The Postage Stamp."Cluver focuses on the word, "Ekphrasis" defined by some as "the verbal representation of graphic representation." -- Source of annotation: Marvin or Ruth Sackner.

This book was later published in an expanded 2nd edition. -- Source of annotation: Marvin or Ruth Sackner.