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Reference text

 Subject
Subject Source: Sackner Database

Found in 4 Collections and/or Records:

A Book of the Book / Rothenberg, Jerome, editor ; Clay, Steven, editor ; McCaffery S ; Nichol bp ; Young K ; Smith K ; Stein G ; Blake W ; Perloff M ; Cendrars B ; Delaunay S ; Marinetti FT ; Janecek G ; Khlebnikov V ; Maizels J ; Breton A ; Ernst M ; Duchamp M ; Artaud A ; Carothers M ; Meltzer D ; Borges J ; Phillips T ; Drucker J ; Roth D ; Hamilton R ; Knowles A ; Cutts S ; Tyson I ; Kaprow A ; Finlay A ; Finlay IH ; Schneemann C ; Fahrner B ; Watts B ; Bernstein C ; King S ; Cobbing B ; Derrida J ; Jabes E ; Mallarme S ; Goncharova N ; Brown B ; King R ; Jess ; Spector B ; Bing X ; Lessick H ; Spector B ; Mottram E ; Curnoe G ; Broudy H ; Blaine J ; Bory JF ; Stein C ; Quasha G ; Four Horsemen ; MacLow J ; Oliveros P ; King S ; Howe S ; Barthes R ; Jess ; Upton L ; Ringgold F., 2000

 Item
Identifier: CC-34674-36375
Scope and Contents The subtitle of this book is "Some Works & Projections about the Book & Writing." It is divided into four sections" Pre-faces; The Opening of the Field; The Book Is as Old as Fire & Water; and The Book to Come. Marjorie Perloff contributes an essay from "The Futurist Moment" in which she describes "La Prose du Transsiberien" by Cendrars and Delaunay. The book Includes two fold-out pages that reproduce this work as well as an English translation of the poem (the original of this book is held by the Sackner Archive).Gerald Janecek contributed an essay from "Kruchonykh and the Manuscript Books" describing Old Fashioned Love,' 'A Game in Hell and 'World Backwards.' Johanna Drucker wrote, "The Artist's Book as Idea and Form" in which she describes the artist's book as "the quintessential twentieth-century artform. Artists's books appear in every major movement in art and literature and have provided a unique means of realizing works within all of the many avant-garde,...
Dates: 2000

Performance In Postmodern Culture / Benamou, Michel, editor ; Caramello, Charles, editor ; Federman R ; Jabes E ; Lyotard JF ; Rothenberg J ; Acconci V ; Cage J ; Benemou M ; Derrida J ; Duchamp M ; Gass W ; Grossinger R ; Fuller B ; Higgins D ; Kristeva J ; MacLow J ; Marinetti FT ; McLuhan M ; Schnebel D ; Shattuck R ; Snyder G ; Sukenick R ; Tzara T ; Waldrop R ; Wittgenstein L ; Tatham C ; Hassan I., 1977

 Item
Identifier: CC-28249-29420
Scope and Contents

This book consists of a collection of essays in its first half written with a highly academic approach to performance. Its second half features experimental writing and layout. Thus, it begins with an essay by Campbell Tatham, " Mythology and Postmodern Fictions: Magic is Afoot," a work characterized as a "verbal" performance by the editors. It is printed with a typewriter font and includes several shaped texts. Another "verbal" performance using the same approach along with concrete poems is found in the essay contributed by Raymond Federman, "Voices within Voices." Finally, Ihab Hassan provides an experimental drama in his essay, "Prometheus as Performer: Toward a Posthumanist Culture?" -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1977

Revolution Of The Word / Rothenberg, Jerome, editor ; Brown B ; cummings ee ; Duchamp M ; Pound E ; Stein G ; Duncan R ; Gillespie AL ; MacLow J ; Olson C ; Patchen K ; Rexroth K ; Zukofsky L ; Hartley M ; Crosby H ; von Freytag-Loringhoven E., 1974

 Item
Identifier: CC-53638-50280
Scope and Contents

In this anthology, Rothenberg draws implicit attention to several individuals who composed concrete poems that andedated those of Gomringer and the Noigandres group such as Bob Brown, ee cummings, Marsden Hartley, and Kenneth Patchen. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1974

Revolution Of The Word / Rothenberg, Jerome, editor ; Brown B ; cummings ee ; Duchamp M ; Pound E ; Stein G ; Duncan R ; Gillespie AL ; MacLow J ; Olson C ; Patchen K ; Rexroth K ; Zukofsky L ; Hartley M ; Crosby H ; von Freytag-Loringhoven E., 1974

 Item
Identifier: CC-53639-126378
Scope and Contents

In this anthology, Rothenberg draws implicit attention to several individuals who composed concrete poems that andedated those of Gomringer and the Noigandres group such as Bob Brown, ee cummings, Marsden Hartley, and Kenneth Patchen. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1974