Scope and Contents

This is a supplement to "Visual Poetry International," held at gallery 'de doelen' Rotterdam and later at Centre 't Hoogt, Utrecht, The Netherlands in 1975. This catalogue is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The analysis of the poem is based upon the version printed in Solt's "Concrete Poetry: A World View," rather than its initial publication in Noigandres 5. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This is a major exhibition of concrete and visual poetry organized by Michael Glasmeier. Almost every classification of visual/verbal imagery was represented in this catalogue. This catalogue depicts 71 dom sylvester houedard, eight Ladislav Novak typewriter poems. This catalogue depicts images of works included in several Hansjorg Mayer portfolios of concrete poetry. It also depicts images from runs of periodicals such as Affiche, Futura, POTH, Rot, Revue Ou, Rhinozeros, etc. Most of the works in this exhibition are also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This is the first edition, first printing. In the beginning of this book, traces the poets of concrete poetry country by country as follows: Switzerland, Brazil, Germany, Austria, Iceland, Czechoslovakia, Turkey, Finland, Denmark, Sweden, japan, France, Belgium, Italy, Portugal, Mexico, Spain, Scotland, England, Canada, and United States. This is followed by a section dealing with manifestos by Gomringer, the Noigandres Group, Max Bense, Oyvind Fahlstrom, Henri Chopin, Paul De Vree, Jonathan Williams, and Ian Haimilton Finlay. The next section consists of concrete poems from from poets worldwide. Obituary: Mary Ellen Solt, 86; poet, poetry critic, By Mary Rourke, Times Staff Writer, June 29, 2007 Mary Ellen Solt, a poet and poetry critic who often arranged words on the page in a visual graphic, resulting in such works as "Forsythia," a poem that looks like a flowering shrub, has died. She was 86. Solt died June 21 at Henry Mayo Newhall Memorial Hospital in Santa Clarita after...

Scope and Contents

Cluver analyzes Willy Correa de Oliveira's music score for Augusto DeCampos' poem "Memos." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The Sackner Archive holds the following books displayed in this exhibition, viz., 1967 reprint of Apianus' "Astronomicum," Andy Warhol's Index Book, Art/Life, Poemobiles by De Campos, The Sense Books by Carothers and The Slant Book by Newell. The curator of this exhibition, Gay Walker, also includes her classification scheme for Eccentric Books. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The Sackner Archive holds the following books displayed in this exhibition, viz., 1967 reprint of Apianus' "Astronomicum," Andy Warhol's Index Book, Art/Life, Poemobiles by De Campos, The Sense Books by Carothers and The Slant Book by Newell. The curator of this exhibition, Gay Walker, also includes her classification scheme for Eccentric Books. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Cluver brings out the connections of August DeCampos' colored textural, concrete poems to the colored musical compositions of Anton von Webern. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book provides an excellent chronology of Brazilian concrete poetry. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents The Sackner Archive lent Houedard typewriter poems for reproduction in this book.AMAZON.COM: "Lori Emerson examines how interfaces"”from today's multitouch devices to yesterday's desktops, from typewriters to Emily Dickinson's self-bound fascicle volumes"”mediate between writer and text as well as between writer and reader. Following the threads of experimental writing from the present into the past, she shows how writers have long tested and transgressed technological boundaries.Reading the means of production as well as the creative works they produce, Emerson demonstrates that technologies are more than mere tools and that the interface is not a neutral border between writer and machine but is in fact a collaborative creative space. Reading Writing Interfaces begins with digital literature's defiance of the alleged invisibility of ubiquitous computing and multitouch in the early twenty-first century and then looks back at the ideology of the user-friendly graphical user...

Scope and Contents

This catalogue provides one of the most intellligent reviews of concrete and visual poetry. -- Source of annotation: Marvin or Ruth Sackner.