Reference text
Subject
Subject Source: Sackner Database
Found in 414 Collections and/or Records:
Artists' Books / Guest T ; Broodthaers M ; Carrion U ; Darboven H ; Fulton H ; Maciunas G ; Merz M ; Nannucci M ; Nauman B ; Parmiggiani C ; Penck A ; Roth D ; Ruscha E ; Snow M ; Niikuni S., 1983
Item
Identifier: CC-25661-26120
Artists' Books: Japan / Ono Y., 1985
Item
Identifier: CC-25657-26115
Scope and Contents
Exhibition was curated by Yoshiaki Tono. The curator classifies the artist book as 1) documentation and memory holder, 2) unopenable object, 3) performance, 4) concept, 5) picture show, 6) skin, and 7) miscellaneous. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1985
Artists' Books / Martin Attwood, curator ; Phillpot C ; Roth D ; Ruscha E ; Andre C ; Broodthaers M ; Carrion U ; Darboven H ; Fisher A ; Long R ; Fulton H ; Nannucci M ; Ono Y ; Padin C ; Phillips T ; Piper A ; DeRook GJ ; Stokes T ; Tyson I ; Williams E ; Weiner L., 1976
Item
Identifier: CC-25660-26119
Scope and Contents
This exhibition was curated by Martin Attwood. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1976
Artists' Magazines: An Alternative Space for Art / Allen, Gwen ; Acconci V ; Mayer B ; Abramovic M ; Altmann R ; Andre C ; Antin D ; Art & Language ; Artpolice ; Aubertin B ; Baldessari J ; Balthazar A ; Banana A ; Bann S ; Baroni V ; Bee S ; Berman W ; Bertini G ; Beuys J ; Blaine J ; Bochner M ; Bory JF ; Bronson AA ; Broodthaers M ; Brus G ; Burroughs WS ; Cage J ; Carrion U ; Castro L ; Celant G ; Cherches P ; Chopin H ; Clark L ; Clavin H ; Coleman V ; Coolidge C ; Corris M ; Dachy M ; Darboven H ; Debord G ; Derrida J ; Dibbets J ; Dienst HG ; Dienst RG ; Dotremont C ; Dworkin C ; Ehrenberg F ; Erlhoff M ; Eshleman C ; Feldman M ; Fiore Q ; Finlay IH ; Friedman K ; Fuller B ; Gaard F ; Gaglione B ; General Idea ; Gerz J ; Gins M ; Glass P ; Graham D ; Groh K ; Group Material ; Haacke H ; Hansen A ; Heartfeld J ; Hendricks J ; Herman J ; Higgins D ; Holzer J ; Home S ; Horn R ; Horn S ; Huebler D ; Hundertmark A ; Indiana R ; Jirgens K ; Johnson R ; Kaprow A ; Kempton K ; Klauke J ; Knizak M ; Kosuth J ; Kristeva J ; Kruger B ; Laszlo C ; LeWitt S ; Lippard L ; Loeffler CE ; Lum K ; Maciunas G ; Mack H ; Manzoni P ; Matta-Clark G ; Mayor D ; Medalla D ; Mekas J ; Milazo R ; Monk M ; Morris M ; Muntadas A ; Nadin P ; Nations O ; Nauman B ; Nova GL ; Oldenburg C ; Padin C ; Paz O ; Pelieu C ; Perneczky G ; Petasz P ; Phillpot C ; Piper A ; Pozzi L ; Prince R ; Queneau R ; Raman E ; Randall M ; Rauschenberg R ; Reich S ; Ricard R ; Rollins T ; Rietman J ; Rose B ; Roth D ; Rothenberg J ; Ruscha E ; Sanders E ; Sarenco ; Saroyan A ; Schneemann C ; Schraenen G ; Schor M ; Schwartz D ; Shimamoto S ; Siegelaub S ; Sky A ; Smithson R ; Sondheim A ; Spatola A ; Spector B ; Spiegelman A ; Steadman P ; Spoerri D ; Tavenner P ; Tinguely J ; Trasov V ; Tremlett D ; Tunga ; Tuttle R ; Vigo EA ; Vostell W ; DeVree P ; DeVries H ; Waldman A ; Weaver M ; Weiner H ; Weiner L ; Wilke H ; Willats S ; Young L ; Zurbrugg N ; Tompkins B., 2011
Item
Identifier: CC-53252-74404
Scope and Contents
Clive Phillpot coined the term "magazine art" as "art conceived specifically for magazine content, and, therefore, art which is realized only when the magazine itself has been commposed and printed. Alexander Proven Amaxon.com: Allen's book is a great chronicle of the rise and fall of artists' magazines--among them Aspen, 0 to 9, Avalanche, Art-Rite, FILE, and Real Life--that, in the 60s, 70s, and 80s, provided a space for artists to colonize the discourse of the art world, and do so in their own voices. Artists like Robert Smithson, Dan Graham, Mel Bochner, and Vito Acconci created magazine art where criticism had once been, emphasizing the materiality of language, denying its ability to communicate. (Graham's "Schema," a site-specific instructional piece published in a variety of magazines in the 60s and 70s, is a paramount example; it consisted of a template to be completed by the editor, in accordance with the magazine's typography, design, and layout, producing a new work in...
Dates:
2011
Artists' Postcards: A Compendium / Cooper. Jeremy ; Adler BJ ; Andre C ; Antin E ; Armleder J ; Art & Language ; Ashbery J ; Banana A ; Banner F ; Baroni V ; Barry R ; Bates K ; Baxter G ; Beuys J ; Bevis J ; Bismuth P ; Blake P ; Bloom B ; Boltanski C ; Brainard J ; Brecht G ; Broodthaers M ; Burroughs WS ; Cage J ; Calle S ; Christo ; Coleman L ; Colp N ; Copley W ; Coum ; Creed M ; Crozier R ; Cutts S ; Davenport P ; Dali S ; Dean T ; VanDoesburg T ; Duchamp M ; Evans D ; Feldmann HP ; Fidler M ; Filliou R ; Fine AM ; Finlay IH ; Fulton H ; Gaglione B ; General Idea ; Gilbert & George ; Gillick L ; Gilonis H ; Grosz G ; Hamilton R ; Hausmann R ; Higgins D ; Higgs M ; Hiller S ; Hoch H ; Holzer J ; VanHorn E ; Image Bank ; Jaar A ; Johnson R ; Jones G ; Kawara O ; Knowles A ; Kolar J ; Kustermann P ; Lakra Dr ; Leigh M ; Lemaitre M ; LeWitt S ; Lichtenstein R ; Liversidge P ; Long R ; Maciunas G ; Maggi R ; Matta-Clark G ; Monk J ; Nannucci M ; Nauman B ; Obrist HU ; Oldenburg C ; Ono Y ; Paik NJ ; Pawson M ; Perec G ; Phillips T ; Picabia F ; P-orridge G ; Ray M ; Roth D ; Ruppersberg A ; Sackett C ; Sagmeister S ; Schwitters K ; Seille G ; Schrigley D ; Smith B ; Smith R ; Spada S ; Staeck K ; Tot E ; Ben ; Voss J ; Warhol A ; Weiner L ; Wilke H ; Williams E ; Williams J ; Young L., 2012
Item
Identifier: CC-55361-9999103
Scope and Contents
Dust jacket: Over the last twenty years an increasing number of artists have turned to expressing themselves through postcards. Whether by way of installation, collage, addition to, or alteration of existing postcards, or the production of postcards themselves, many prominent artists employ the medium in some form. Artists' Postcards traces the origin of artists' fascination with postcards from the early 1900s but with a focus on the contemporary, revealing the significant number of artists who have made creative and unusual artworks in postcard form. With 400 images of postcards created by many well-known artists, Artists' Postcards is the first critical guide to the subject. From surrealists to Fluxus and conceptual artists, this book includes an array of historical and contemporary postcards by such artists as George Grosz, Bruce Nauman, Richard Long, David Hockney, Richard Hamilton, Susan Hiller, Joseph Beuys, Ben Vautier, Dieter Roth, Ray Johnson, Gordon Matta-Clark, Gavin...
Dates:
2012
Artiststamps/Francobolli d'Artista / Felter, James Warren, editor ; Baroni V ; Banana A ; Barbot G ; Bleus G ; Blurr B ; Cavellini GA ; Cole D ; Diotallevi M ; Dogfish ; Dominique ; Fricker H ; Harley ; Higgins EF-III ; Jackson S ; Jensen KF ; Kent E ; Padin C ; Smith J ; Smith S ; State of Being ; Summers R ; Thompson M ; Varney E ; Welch C ; Tot E ; Evans D ; Decie J ; Bidner M ; Klein Y ; Johnson R ; Watts R ; Warhol A ; Wald S ; Zeller L ; Friedman K ; Atchley D ; Tavenner P ; Dogfish ; Blurr B ; Butler R ; CrackerJackKid., 2000
Item
Identifier: CC-37119-38961
Scope and Contents
In addition to a major essay by Vittore Baroni that traces the history of artist stamps, several artists wrote about their work or the network of artists stamps. The main section contains photographic reproduction of artists stamps. In addition, the book inludes a chronology of first editions, selected exhibitions from 1974 to 1999 and a bibliography.Baroni proposes the following definition for Artistamp: 1) it was concxeived by the artist, 2) it was produced by or at the instruction of the artist who conceived it, 3) it is a print, preferably on gum paper, 4) it is produced in multiples, most often in several rows and columns on a single sheet which is then, possibly, perforated, 5) it is produced in an edition, preferably signed and numbered, 6) it gives some indication of the imaginary or actual issuing authority, and 7) it is a work of art.Felter mentions that the first artist stamp action was done by Yves Klein who affixed 3500 "blue stamps" to a postcard announcements of his...
Dates:
2000
Assembling Magazines 1969-2000 / Perneczky, Geza ; Sackner RK ; Sackner MA ; Chopin H ; Cobbing B ; Carrion U ; Sackner MA ; Gette PA ; Spatola A ; Vigo EA ; Ferrando B ; Perez D ; Calleja JM ; Kostelanetz R ; Szombathy B ; Perkins S ; Kocman JH ; Schraenen G ; Padin C ; Sampaio J ; Bruscky P ; Lisboa U ; Rehfeldt R ; Deisler G ; Jesch B ; Warnke U ; Dana L ; Fischer H ; VanBarneveld A ; Brand J ; DeJonge K ; Gaglione B ; Meade R ; Marin M ; Baroni V ; Ruch G ; Black J ; Raman E ; Herman C ; Holtz S ; Bogdanovic N ; Lenoir P ; Pignatari D ; DeCampos A ; DeCampos H ; Tarlatt U ; Kowalski J ; Berchenko G ; Zito R ; Petasz P ; Giacomucci U ; Boumans B ; Kantor I ; Zack D ; Home S ; Olbrich JO ; Hainke W ; Ciani P ; Kierspel J ; Stirnemann MV ; McLean D ; Neaderland L ; Stetser C ; And M ; Was E ; Bille P ; Alatalo S ; Gerlovina R ; Gerlovin V ; Nikonova R ; Segay S ; Konstriktor B ; Ebel G ; Ahnert C ; Cohen R ; Cardella J ; Guttierez R ; Peacock S ; Fabry A ; Resch R ; Krabbe P ; Putz C ; Tillier T ; Maggi R ; Morandi E ; Gagnon JC ; Lehmus J ; Seifert J ; Galantai G ; Toth G ; Blaine J ; spence p ; Collins P ; Delgado FG., 2007
Item
Identifier: CC-47820-68840
Scope and Contents
Underground In contemporary society this is a wider concept applied to social stratification. It usually refers to groups less educated and less classified than the civil majority and their mainstream establishments, which function 'beneath' or independently of the latter. Related words include 'parallel or alternative societies/layers', 'second publicity', 'resistance', 'opposition', 'subculture', etc. Henceforth I shall mostly refer to the artistic underground, which I understand, on the one hand, as artistic community which is excluded from art organizations and the art business and hence is often relegated to social insecurity, and, on the other, as the artistically interested layers of intellectuals, students or sympathizers In special cases (such as in an era of political repression) professional artists may also belong to the artistic underground. Another frequent occurrence has been that representatives of the art establishment freely choose to move towards the underground,...
Dates:
2007
Assembling Magazines / Stephen Perkins, curator ; Was E ; And M ; Baroni V ; Petasz P ; Cardella J ; Kostelanetz R ; Corbett M ; Cohen R ; McGuff L ; Ruch G ; Olbrich JO ; Nikonova R ; Black J ; Raman E ; Holtz S ; Stetser C ; Neaderland L ; Nowak B ; Abajkovics P ; Zito R ; Lenoir P ; Padin C ; Corpa ; Gomez A ; Putz C ; Bruscky P ; Gaglione B ; Bogdanovic N ; Brewton J ; Breuer T ; Braumiller H ; Braumuller H ; Pittore-Eurifico C ; Gluschenko A ; DeJonge K ; Melnikov W ; Rasdorfer JM ; Collins P ; Ocana J ; Phillpot C ; Blaine J ; Tavenner P ; Todorovic M ; Branco J ; Swierkiewicz R ; Jesch B ; Vigo EA ; Hirschman J ; Leigh M ; Porter B ; Zabala H., 1996
Item
Identifier: CC-52238-73360
Scope and Contents
Stephen Perkins, the curator of the exhibition and the editor of the catalogue writes the following introduction, "This catalogue is a documentation for an exhibition of assembling magazines that took place at Subspace, Iowa City, during September, 1996. The call for submissions was circulated among the correspondence art network and the exhibition was comprised of 38 titles from 15 countries, a small number of assembled books, two audio compilations and assorted artists' magazines, books and catalogues. Many contributors submitted statements about their publications and others offered articles and histories on particular aspects of assemblings. Also included in this catalogue are interviews with editors of four of the periodicals in the exhibition. I'd like to thank all the participants who contributed so generously and were instrumental in creating an exhibition that reflects the spirit of collaboration and exchange that is so central to this international networking community....
Dates:
1996
Astronauts of Inner-Space: An International Collection of Avant Garde Activity, 1966
Item
Identifier: CC-23139-23577
Asymmetric Typography / Tschichold, Jan ; Ruari McLean, translator ; Tiege K ; Lissitzky E ; Strzeminski W ; Moholy-Nagy L ; Albers J., 1967
Item
Identifier: CC-54077-64834
Scope and Contents
Tschichold utilizes mainly books and art works by Lissitzky to demonstrate his new typography. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1967
Augusto de Campos' "Terremoto": Cosmology as Ideogram / Cluver, Claus; Jandl E; DeCampos A; DeCampos H., 1978
Item
Identifier: CC-17165-17523
Scope and Contents
The analysis of the poem is based upon the version printed in Solt's "Concrete Poetry: A World View," rather than its initial publication in Noigandres 5. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1978
Aus Vollem Halse: Russische Buchillustration und Typographie 1900-1930 / John Bowlt, curator ; Beatrice Hernad, curator ; Altman N ; Annenkov Y ; Burliuk D ; Exter A ; Filonov P ; Goncharova N ; Kamensky V ; Kliun I ; Klucis G ; Kruchenykh A ; Larionov M ; Lissitzky E ; Mayakovsky V ; Puni I ; Rodchenko A ; Rozanova O ; Stenberg G ; Stepanova V ; Tatlin V ; Telingater S ; Zdanevich I ; Zdanevich K ; Bowlt J ; Hernad B ; Malevich K ; Bakst L., 1993
Item
Identifier: CC-29651-31026
Scope and Contents
This exhibition featured Russian Avant Garde books and illustrations and works from the earlier World of Art movement. In this book, the items in the exhibition are described in detail, one by one. Several examples are also held by the Sackner Archive. Photographs of the works in this exhibition are black and white or black and white with red highlights. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1993
Avant-Garde Book 1900-1945, The / Jaroslav Andel (American), curator ; Mallarme S ; Jarry A ; Leger F ; Cendrars B ; Delaunay S ; Apollinaire G ; Depero F ; Marinetti FT ; Cangiullo F ; d'Albisola T ; Iliazd ; Burliuk D ; Hugnet G ; Mayakovsky V ; Schwitters K ; Lissitzky E ; Telingater S ; Albert-Birot P., 1989
Item
Identifier: CC-25833-26294
Scope and Contents
The Sackner Archive lent the following books to this exhibition: P. Buzzi's "L'Ellisse e la Spirale," F. Cangiullo's "Poesia Pentagrammata," D. Burliuk, V. Burliuk, and V. Khlebnikov's "Zatychka," P-A. Birot's "La Joie des Septcouleurs," E. Lissitzky and I. Erenburg's "Shest'povesti o Legkikh," E. Lissitzky and S. Telingater's "Polygraphic Union Exhibition Catalog," S. Telingater and A. Bezymenskii's "Komsomolia," and S. Telingater's "Chudozhestvennaia." -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1989
Beauty in Breathing, The / Sackner MA ; Sackner RK ; Baroni V ; Barron S ; Broel E ; Cahun C ; Clausen T ; curry jw ; Dupont A ; Ely T ; Furnival J ; Goldsmith K ; Hubaut J ; Huth G ; Jackman S ; Laffoley P ; Lemaitre M ; Miglietta E ; Phillips T ; Presser E., 1992
Item
Identifier: CC-23373-23815
Scope and Contents
The catalogue was written and the exhibition curated by Marvin Sackner. The viewing took place over a five day period at the Annual Meeting of the American Thoracic Society/American Lung Association in Miami Beach. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1992
Bekijl Het Maar.TYPE typografie / Lohman, HW.., 1981
Item
Identifier: CC-54100-643028
Between Poetry and Painting / Jasia Reichardt, curator ; Chopin H ; Cobbing B ; Cox K ; Finlay IH ; Furnival J ; Garnier P ; Gomringer E ; Heidsieck B ; Hirsal J ; Houedard DS ; Jandl E ; Kolar J ; Kriwet F ; Isou I ; Lemaitre M ; Sabatier R ; Mon F ; DeCampos A ; Roth D ; Ruhm G ; Albert-Birot P ; Balestrini N ; Bayrle T ; Bremer C ; Dienst HG ; Dienst KP ; Dohl R ; Edmonds T ; Gappmayr H ; Gette PA ; Hausmann R ; Kabdebo T ; Latham J ; Altmann R ; Minola G ; Spacagna J ; Mayer HJ ; Morgan E ; Azeredo R ; DeCampos A ; DeCampos H ; Pignatari D ; Xisto P ; Novak L ; Porta A ; Reichert J ; Sharkey JJ ; Staudacher H ; Carroll L ; Mallarme S ; Scheerbart P ; Apollinaire G ; Soffici A ; Huelsenbeck R ; Janco M ; Tzara T ; VanDoesburg T ; Marinetti FT ; Ray M ; cummings ee., 1965
Item
Identifier: CC-22926-23362
Scope and Contents
The duplicate copy of this record also has the mimeographed pages written by Houedard. The manuscript of the Houedard piece is held by the Sackner Archive and the three copies are stored in three locations . -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1965
between worlds: a source book of central european avant gardes / Benson, Timothy, editor ; Forgacs, Eva, editor ; Adler J ; Aleksic D ; Arp H ; Baumeister W ; Berlewi H ; Bortnyik S ; Brauner V ; Buchartz M ; Capek K ; Czyzewski T ; Dexel W ; VanDoesburg T ; Ehrenburg I ; Filla E ; Goll Y ; Golyscheff J ; Gropius W ; Hausmann R ; Huelsenbeck R ; Janco M ; Kandinsky V ; Kassak L ; Kobro K ; Lissitzky E ; Malevich K ; Marinetti FT ; Micic L ; Moholy-Nagy L ; Mondrian P ; Peiper T ; Puni I ; Schlemmer O ; Schwitters K ; Strzeminski W ; Styrsky J ; Teige K ; Tzara T ; Witkiewicz S., 2002
Item
Identifier: CC-54507-689973
Scope and Contents
Amazon.com: The avant-garde movements of Central Europe were an integral part of modernism's evolution as it reached its peak throughout the continent during the 1920s. Written documents--manifestoes, artists' statements, and reviews--were the lifeblood of these movements and, during the periods when political events conspired to isolate them, one of their few means of communication and exchange. Much of this crucial evidence has become lost to us, and the artistic avant-gardes of Central Europe have been a blind spot of modernist studies. Until their narratives have been recovered, the story of modernism will remain incomplete. In this book an international team of scholars has selected an essential compendium of documents that take an important step toward regaining this lost perspective.Between Worlds contains primary documents of the avant-gardes in Austria, the Czech lands, Germany, Hungary, Poland, Romania, and Yugoslavia from 1910 to 1930. The manifestoes and magazines of...
Dates:
2002
Bild Text/Text Bild (Sep.) / Michael Marthias Prechti, curator ; Blaudszun D ; Grieshaber H ; Kolar J ; Pfister D ; Rixdorfer Drucke ; Bremer U ; Eisendle H ; Schindehutte A ; Vennekamp J ; Waldschmidt A., 1976
Item
Identifier: CC-22734-23169
Scope and Contents
Blaudszun's etching "Der Blaue Herbst" is held by the Sackner Archive and is reproduced and described by the artist. This catalogue includes a section that features the work of Rixdorfer Group. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1976