The catalogue is divided into Toward Futurism (1880-1909), Futurism (1909-1918) and Futurisms (1909-1930). It also contains a dictionary of Futurism, a chronology of the movement, color reproductions, listing of works exhibited, bibliography and index. Books depicted and once held by the Sackner Archive include Delauney's "Transsiberian Railroad" and Depero's "Bolted Book." The Sackner Archive still holds"Blast," "The End of the World," "BIF&ZF+18" as well as others by Cangiullo & Marinetti. -- Source of annotation: Marvin or Ruth Sackner.

This book also served as a catalogue for exhibitions in Rovereto and Gorizia, Italy. The letters and letterheads reflect Futurist design and sensibility. Tullio Crali wrote the introduction. -- Source of annotation: Marvin or Ruth Sackner.

Exhibition was curated by Anne Coffin Hanson who planned this exhibition in conjunction with her graduate students who contributed essays to this catalog on such topics as Marinetti's Parole in Liberta and the Futurist Collage Esthetic (Christine Poggi), Luce Futurista: Art for an Electric Age (Anne Temkin), and Words-In-Freedom, & Cangiuillo's Dancing Letters (Antonella Ansoni). Several of Marinetti's unpublished Parole in Liberta are reproduced as well as pages from a book by Rognoni. -- Source of annotation: Marvin or Ruth Sackner.

GLOUP (GLOUcestershire grouP) signifies name given by Jonathan Williams to group of concrete poets living in the west of England, mainly in Gloustershire, including Dom Sylvester Houedard, John Furnival and Kenhelm Cox. WOUP (Westminster grOUP) is name given by Bob Cobbing and Peter Mayer to group of concrete poets living in London, mainly in the city of Westminster, including Cobbing, Mayer and Tom Edmonds. This anthology presents five works by each the poets. One copy has a yellow papercard cover, the other an orange one with a tear. Tom Edmonds who died at age 27 years was a member of the group; the Sackner Archive holds three of his typewriter drawings. -- Source of annotation: Marvin or Ruth Sackner.

Graphic Design History traces the social and cultural role of visual communication from prehistory to the present, connecting what designers do every day to a history of innovative graphic forms and effects. The contents of this book include the following chapters titled Early Writing: Mark-making, Notation Systems, and Scripts - Medieval Letterforms and Book Formats - Modern typography and the Creation of the Public Sphere - the Graphic Effects of Industrial Production - The Culture of Consumption - Corporate Identities and the International Style - Postmodernism in Design - Digital Design. The book includes an extensive glossary of terms, a bibliography and a list of image credits. -- Source of annotation: Marvin or Ruth Sackner.

Amzzon.com: This book examines Japan's best-known modern art movement, a circle of postwar artists whose avant-garde paintings, performances, and installations foreshadowed many key developments in American and European experimental art. "Working with previously unpublished photographs and archival resources, Ming Tiampo considers Gutai's pioneering transnational practice, spurred on by mid-century developments in mass media and travel that made the movement's field of reception and influence global in scope. Using these lines of transmission to claim a place for Gutai among modernist art practices while tracing the impact of Japan on art in Europe and America, Tiampo demonstrates the fundamental transnationality of modernism. Ultimately, Tiampo offers a new conceptual model for writing a global history of art, making Gutai an important and original contribution to modern art history." -- Source of annotation: Marvin or Ruth Sackner.

Gutai menaing 'Concrete' was formed in 1954 by Jiro Yoshihara in a town between Kobe and Osaka and disbanded in 1972. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition was co-curated by Hans Sohm and consisted of material from his Archive. It included a chronology of Fluxus performances. Haralld Szeeman (1933-2005) was a Swiss curator and art historian whose Archive and Library was acquired by the Getty Research Institute in 2011. -- Source of annotation: Marvin or Ruth Sackner.

This book surveys contemporary concrete and visual poets country by country. -- Source of annotation: Marvin or Ruth Sackner.

This scholarly, informative and well illustrated catalogue describes the adventures of the post-WWII artists who searched for new forms of liberty in art beyond aesthetic conventions of the moment or social norms. The exhibition was organized in two sections:1952-1968 and 1968-1994. The catalogue also includes a section of music and cinema, a chronology organized by year and event location and a bibliography. Most of the text consists of interviews of the participants. -- Source of annotation: Marvin or Ruth Sackner.

This is an anthology of correspondence and stamp art. -- Source of annotation: Marvin or Ruth Sackner.

Perhaps the best treatment accorded to the life and work of a concrete poet. -- Source of annotation: Marvin or Ruth Sackner.

The catalogue began with an historical introduction to text based works and included reproduced images of 20th century artists whose works are held by the Sackner Archive such as Apollinaire, Marinetti, Sabatier, Indiana, Kriwet, Augusto de Campos, Furnival, Finlay, Gomringer, Klaus-Peter Dienst, and Schuldt. The exhibition itself featured several artists whose works are held by the Sackner Archive, viz., Barton Lidice Benes, Howard Finster, Werner Hartmann, Stephanie Brody Lederman, Betty Tompkins, Regina Vater -- Source of annotation: Marvin or Ruth Sackner.

This exhibition documented the history of sound poetry. -- Source of annotation: Marvin or Ruth Sackner.

Includes a 24 page section entitled "Antologia Di Poesia Visiva" that cionists of several critical texts and 49 illustrations printed in B&W of visual poems. The usual proponents are depicted as a well as a large number of poets not ususall cited. -- Source of annotation: Marvin or Ruth Sackner.