Poem consists of phrases which contain the word "Jack." -- Source of annotation: Marvin or Ruth Sackner.

This object was formed from by photocopied hand lettered text in the style Phillips uses for his text based sculptures, where each letter is physically linked to adjacent ones. The photocopied sentence of the title, glued onto the cube is repeated twice on each of its surfaces. The Sackner Archive also holds the hand-drawn maquette for this work. The text is by the philosopher Ludwig Wittgenstein. -- Source of annotation: Marvin or Ruth Sackner.

For this piece, Tom Phillips lettered the text in the style he used for his text based wall sculptures. Each letter is linked to adjacent ones. The sentence of the title is repeated twice on each surface of the cube. The text is by the philospher Ludwig Wittgenstein.Phillips writes, "The series of cubes began with a cage of wire made for The Globe Theatre's production of A Winter's Tale. A cage of wire words followed to exemplify Wittgenstein's proposition 'The Limits of My Language are the Limits of My World'. Printing this on an acrylic cube where the inside can be seen and, by an oddity of optics, experienced from the outside seemed to unite the reading of a statement with its perception as a metaphor. Reversing the text on the outside in a later version emphasised the trap of language that Wittgenstein describes." -- Source of annotation: Marvin or Ruth Sackner.

For this maquette, Tom Phillips hand lettered the text in the style he used for his text based wall sculptures. He marked design changes in small, red symbols. Each letter is linked to adjacent ones. The sentence of the title is repeated twice on each surface of the cube and hand-drawn on each surface of the wooden cube. The maquette is slightly smaller than the finished work that is also held by the Sackner Archive. The text is by the philospher Ludwig Wittgenstein. -- Source of annotation: Marvin or Ruth Sackner.

Poem by R. Bradbury. Designed and printed by R. Bigus. -- Source of annotation: Marvin or Ruth Sackner.

The portrait of Mrs. King is formed from the slashes over the appropriate words. -- Source of annotation: Marvin or Ruth Sackner.

The same image as I but presented in a horizontal position rather than in a vertical one. -- Source of annotation: Marvin or Ruth Sackner.

Stored in Depew's drawings box. -- Source of annotation: Marvin or Ruth Sackner.

Stored in Depew's drawings box. -- Source of annotation: Marvin or Ruth Sackner.

Aylward & bp Nichol co-edited Ganglia Press publications. The poems in this book are printed one to a page with a thin vertical structure of typings forming abstract images on the right side and a caption consisting of a phrase in the left lower corner. This is the author's first book. -- Source of annotation: Marvin or Ruth Sackner.

J. Berry uses the English prefixes 'un' and 'non' as his text. -- Source of annotation: Marvin or Ruth Sackner.

Eva Ensler wrote an introduction to thei book. -- Source of annotation: Marvin or Ruth Sackner.

The box was made by sloy's husband, Nicholas. -- Source of annotation: Marvin or Ruth Sackner.

On page 85, Riha publishes a poem entitled, gomringers schweigen (komplett) in which the empty silent space is filled with gomringer in version a ; in version b, gomringer substitutes for schweigen and the empty space is taken up by schweigen. In addition, 14 concrete poems playing upon the name of gomringer are printed on pages 87-96. -- Source of annotation: Marvin or Ruth Sackner.