This print depicts two of cobbing's prints and was presumably distributed as an announcement. -- Source of annotation: Marvin or Ruth Sackner.

Identical layout to other copy with different printing

This work consists of overtyped question marks. -- Source of annotation: Marvin or Ruth Sackner.

Cobbing created repeticious text variations on the title "Beethoven Today" by forming poems in either a circular or quadrangular arrangement. The pages have yellow and orange color -- Source of annotation: Marvin or Ruth Sackner.

Cobbing created tautologic variations on the title "Beethoven Today" by forming poems in either a circular or quadrangular arrangement. Al the pages are printed on white paper stock. -- Source of annotation: Marvin or Ruth Sackner.

This print depicts a photograph of a colored neon sculpture that Kriwet made for the cafeteria of the university. -- Source of annotation: Marvin or Ruth Sackner.

This book includes poems of cut-ups begun in 1956. The method was to decide on the number of lines, clip out newspaper lines of the required number, and paste them up in an effective order to give an appearance of a conventional poem. This work antedates Gysin's 1959 cut-ups, usually attributed as the first to employ it. This book also includes cut-ups of earlier cut-ups, and permutations or mutations based on newspaper headlines but originating from phrases clipped from books. -- Source of annotation: Marvin or Ruth Sackner.

The book is cut horizontally through the pages and slightly rotated. The fore-edge and cardboard base are painted green.Internet: Sarah Firmin (Dorothy Carr) (1933-) is a versatile artist, designer and teacher, gaining her painting diploma at St Martin's School of Art. Working at the London College of Printing, (together with Francis Carr, whom she married) Firmin helped pioneer the use of screenprinting as a fine art medium in the late 1940s. They have been credited with producing some of the first screenprints to be made in this country, and for introducing the medium to a number of artists including Eduardo Paolozzi. Firmin took part in numerous group shows and her solo exhibitions include the ICA, 1970; Gardner Art Centre, Sussex University, 1982; and Barbican Centre, 1991. The British Museum and Victoria & Albert Museum hold examples of her work. -- Source of annotation: Marvin or Ruth Sackner.