The text consists mainly of dense overtyping of repetitive phrases collaged onto cardboard as a 2 x 3 grid such as "interior of my sphere," "thee like Ra, he praises," etc. The frottaged image in the middle right grid is a bony thorax overlaid by letraset formed words, SCARAB and SCARAB. -- Source of annotation: Marvin or Ruth Sackner.

Poems were composed by d.a.levy in 1967 and most of the originals are held by the Sackner Archive. The covers differ between the 1st and 2nd editions. -- Source of annotation: Marvin or Ruth Sackner.

This is a partial printing of the Scream Poem over a grainy photograph of an erotic encounter. One of the prints depicts solely the text of the poem. -- Source of annotation: Marvin or Ruth Sackner.

This is a partial printing of the Scream Poem over a grainy photograph of an erotic encounter between two men and one woman. Three of the five prints depict solely the photograph associated with the poem. -- Source of annotation: Marvin or Ruth Sackner.

Cover painting by bissett. Len Early wrote the introduction to this selection of bissett's poems from 1962-1976. -- Source of annotation: Marvin or Ruth Sackner.

This work is reproduced in the exhibition catalogue "Concrete, Experimental Visual" (1989). One collage (Solar VI) is framed and hung. Solar III is also reproduced in Mendes de Sousa, Carlos & Ribeiro, Eunice Editors: Antologia da Poesia Experimental Portuguesa: Anos 60 - Anos 80, 2004, a book held by the Sackner Archive. The Sackners lent these collages to the exhibition 'Poesure et Peintrie' (1991) in Marseile. -- Source of annotation: Marvin or Ruth Sackner.

The texts intermingle the early democratic principles of America' founding fathers with slavery issues. -- Source of annotation: Marvin or Ruth Sackner.

The title translates to "Structure-Break/Structure-Framework." The image consists of two groups of densely placed Hebrew letters divided by a river-like blank space. On the left and right sides are several letters that are randomly, less densely placed. This could be a metaphor for the Red Sea, of the political schism of religious and non-religious Jews, or history's attemmpt to divide the Jews. Or it could be simplly a beautiful abstract, typographic poem! -- Source of annotation: Marvin or Ruth Sackner.

There is heavy emphasis on poems that involve solely numbers' manipulations in this book. The poems utilizing words are minimalistic in nature. -- Source of annotation: Marvin or Ruth Sackner.

Includes extensive commentary by Bremer on his concrete and shaped poems. Photographs of the shaped poems are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Includes extensive commentary by Bremer on his concrete and shaped poems. It includes photographs of the shaped poems are held by the Sackner Archive. Claus Bremer was born in 1924 and died in 1996. -- Source of annotation: Marvin or Ruth Sackner.