This work was first publishedin 1986 in three copies as "4 fantasies on 'bp'.' -- Source of annotation: Marvin or Ruth Sackner.

The cover image, that was done by bp Nichol, was published in rawculture in sep 71. This card, reproducing that image, was sent to individuals who have helped curry with his ongoing book on bp Nichol, "CYCLOPOEDIA BEEPLIOGRAPHIA." -- Source of annotation: Marvin or Ruth Sackner.

Includes group photograph of artists assembled for the 11th International Festival of Sound Poetry in Toronto, 1978. The record is selections of Canadian sound poetry. -- Source of annotation: Marvin or Ruth Sackner.

Designated Studies in Concrete Poetry No.4 and is a reprinting of the lecture delivered by Cobbing at the Text as Figure exhibition in Wolfenbuttel 1987 with the following topics: 1) typewriter dirty clean, 2) typewriter, 3) calligraphy hand writing drawn letters, 4) press-on lettering, 5) press-on letters & other means, 6) mimeo misuse, 7) found materials, 8) more found materials, 9) photo-copying, 10) photo-copier, 11) computer, and 12) back to the beginning. The 69 examples in this book include mostly Cobbing's poems but a few examples of other poets as well. -- Source of annotation: Marvin or Ruth Sackner.

Designated Studies in Concrete Poetry No.4 and is a reprinting of the lecture delivered by Cobbing at the Text als Figur exhibition in Wolfenbuttel 1987 with the following topics: 1) typewriter dirty clean, 2) typewriter, 3) calligraphy hand writing drawn letters, 4) press-on lettering, 5) press-on letters & other means, 6) mimeo misuse, 7) found materials, 8) more found materials, 9) photo-copying, 10) photo-copier, 11) computer, and 12) back to the beginning. The 69 examples in this book include mostly Cobbing's poems but a few examples of other poets as well. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive holds another copy of this book that is unsigned. -- Source of annotation: Marvin or Ruth Sackner.

Also designated one cent #173. This was published on the occasion of a Festschrift held at the Harborfront in Toronto on October 14, 1986. -- Source of annotation: Marvin or Ruth Sackner.

Also designated th wrecking ballzark #63. -- Source of annotation: Marvin or Ruth Sackner.

The page depicts in typed letters the upper and lower case view of the typewriter keyboard. -- Source of annotation: Marvin or Ruth Sackner.

Usually published in an edition of 400 copies. -- Source of annotation: Marvin or Ruth Sackner.

Mention is made of the loan of three original manuscripts from the Sackner Archive for publication in this book. -- Source of annotation: Marvin or Ruth Sackner.

Mention is made of the loan of three original manuscripts from the Sackner Archive for publication in this book. -- Source of annotation: Marvin or Ruth Sackner.

This work originally appeared as Gronk number 1: series 2. -- Source of annotation: Marvin or Ruth Sackner.

Designated as Quartos No.3. A Canadian version of this book was published by Weed Flower Press in 1973 but the titles were differently placed on the pages. -- Source of annotation: Marvin or Ruth Sackner.

bp Nichol dedicated this book "to Bob Cobbing who took that chance of first publishing me thank you." The paper slip contains the following: "KONFESSIONS OF AN ELIZABETHAN FAN DANCER is a collection of bp Nichol's "borderblur" pieces from the period 1964-1966. It includes some previously unpublished material. It is ironical that Nichol's work of this perid, upon which his earlier reputation was based, has not previously been published in book form in Canada. KONFESSIONS fills the gap." -- Source of annotation: Marvin or Ruth Sackner.

Also designated Minibooks #3. First published by Ganglia Press May 3, 1969. Writers Forum published it December 31, 1969. Performed as a sound poem at UBC Gallery of Fine Arts in April 1969. -- Source of annotation: Marvin or Ruth Sackner.