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Mahayana typewritings are stored in a custom wooden box made by Molly Burgess whereas Theravada typewritings are stored between two plexiglas book covers. The limited edition book, 'Still,' of 25 copies depcits excellent reproductions of the originals to the extent that it is difficult to distinguish the original from the letterpress reproductions. However, the originals are typed on a single page whereas the reproductions in the book are printed on sleeve pages. A comparison between the blackness of the lettering generally showed more blackness with the originals than the reproductions. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The earlist poem on this page of multiple small poems dated 220163 reads 'the creator's - primordial crime - scrubbed.' Another poem that Houedard produced on 160263 reads 'Bang sid gpd - bangbang said i - we are both a bit kinky.' In a concrete poetic version of this poem with the same date also held by the Sackner Archive entitled 'dialogue,' the ending has been changed to 'we are both a bit crazy.' -- Source of annotation: Marvin or Ruth Sackner.

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Typewriter poems/art from Portfolio Chopin. Titled works include: "Rockets", "Il gele", "oui non", "vol volauvent". + 2 handwritten supplementary notes on the pieces, dated 1991

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These poems that were first published in Vision Magazine, Bristol, England constitutes Carter's first book. She later wrote Children's books and books about cats. The cover design is an example of typewriter, concrete poetry. -- Source of annotation: Marvin or Ruth Sackner.

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This is the original of the typing which appears in Chopin's book, "Le Dernier Roman du Monde." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This page includes 11 typewriter poems including a oiem in five parts as an homage to Leopold Sedar Senghor. Wikipedia: Léopold Sédar Senghor (9 October 1906 "“ 20 December 2001) was a Senegalese poet, politician, and cultural theorist who for two decades served as the first president of Senegal (1960"“1980). Senghor was the first African elected as a member of the Académie française. Before independence, he founded the political party called the Senegalese Democratic Bloc. He is regarded by many as one of the most important African intellectuals of the 20th century. He graduated from the University of Paris, where he received the Agrégation in French Grammar. Subsequently, he was designated professor at the universities of Tours and Paris, where he taught during the period 1935"“1945. Senghor decided to start his teaching years at the Lycée René-Descartes in Tours; he also taught at the Lycée Marcelin Berthelot in Saint-Maur-des-Fosses near Paris.[14] He also studied linguistics...

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This version of the poem is typed on the top portion of the page in four columns. -- Source of annotation: Marvin or Ruth Sackner.

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This version of the poem is spaced throughout the page in two columns. It contains the date 051165 handwritten probably by Houedard. -- Source of annotation: Marvin or Ruth Sackner.

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This exhibition was a retrospective of Andre's typewriter poetry. -- Source of annotation: Marvin or Ruth Sackner.

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This book was compiled by jw curry from unpublished (?) concrete poems of bp Nichol's early work which were composed by typings or writings. curry had access to these works through cataloging of Nichol's archive. These works emphasize the diversity and intelligence of Nichol's typewriter poetry; the calligraphic works are presented with far less examples. The cited authors in this book consist of those whom Nichol composed a poem in their style or as an homage to them. The covers of the book have been collaged with a dust jacket created from an overprinting of a cover by Coach House Press entitled, 'New Wave Canada.' -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book was compiled by jw curry from unpublished (?) concrete poems of bp Nichol's early work which were composed by typings or writings. curry had access to these works through cataloging of Nichol's archive. He has had access to such work through his cataloging of Nichol's archive. The works emphasize the diversity and intelligence of Nichol's typewriter poetry; the calligraphic works are presented with far less examples. The cited authors in this book consist of those whom Nichol composed a poem in their style or as an homage to them. The covers of the book have been collaged with a dust jacket created from an overprinting of a cover by Coach House Press entitled, 'New Wave Canada.' -- Source of annotation: Marvin or Ruth Sackner.