The duplicate is signed but not dated. -- Source of annotation: Marvin or Ruth Sackner.

Charles Cameron writes about this collection of '1 foolscap letter addressed "mdc" (my dear charles) concerning Pierre Albert-Birot's celebrated book Grabinoulor,together with4 foolscap pp of dsh's translation, book 3 chapter 8, with ca 20 - 30 corrections in dsh's hand on each page" The covering letter is stored with the manuacript in the manuscript binder. -- Source of annotation: Marvin or Ruth Sackner.

This is a minibooklet in which each page is cut in half horizontally such that the two halves can be matched to different pages to give permutations of minimalist poems. -- Source of annotation: Marvin or Ruth Sackner.

The edition consisted of 10 copies boxed with a tape cassette and a loose portfolio from the book that was painted by Kern and signed. 100 copies were boxed with a tape, a loose portfolio and signed in book (current copy). 400 copies were boxed with a tape. 250 copies were available in book form only. The 12 prints in the box are pages taken from the book. -- Source of annotation: Marvin or Ruth Sackner.

Mat stamped "Editore Francesco Conz." -- Source of annotation: Marvin or Ruth Sackner.

Edited by Daniel f. Bradley. One of the poems was first published as one cent No.281 1991. -- Source of annotation: Marvin or Ruth Sackner.

This is a pirated edition of Werkman's typings published by derek beaulieu. The paper stock has a rougher feel than the 2nd edition that is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This is a pirated edition of Werkman's typings published by derek beaulieu. The paper stock has a smoother feel than the 1st edition that is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The leaflets have either one to three letters, o's, a colon, a period, or a slash. The reader is instructed to speak every 'o' & clap every period sign. -- Source of annotation: Marvin or Ruth Sackner.

This page was personally scnned under the direction of Augusto De Campos. -- Source of annotation: Marvin or Ruth Sackner.

This poem, composed on an IBM Selectric Correcting Typewriter, was first performed at the School of Visual Arts, New York in April 1978. It was presented and printed here for the 11th International Festival of Sound Poetry in Toronto, Canada, held in October 1978. The envelope is a yellow color. -- Source of annotation: Marvin or Ruth Sackner.

According to an email communication from Achleitner, "The "o-i-studie" is a minimalized script of a film in which the sign 0 is transformed into either the number "0" (zero) or the letter "o" depending on the surrounding signs or visual materials. The 0 may even remain a neutral ornamental sign. In the course of my "o-i-Studie" it is shown how the neutral sign is transformed into the letter 0." -- Source of annotation: Marvin or Ruth Sackner.