This dinner set was produced with the help of George Mill. Each plate and the napkin contain a different design composed of letters from the Serbian alphabet. This is a first edition of a unique limited collection. -- Source of annotation: Marvin or Ruth Sackner.

This book dealing with the Passover song, Chad Gadya, was inspired by the work of El Lissitzky. -- Source of annotation: Marvin or Ruth Sackner.

Four wooden, pie-shaped panels painted BEFORE AFTER in black are hinged to the circular wood base painted DEATH BIRTH in red. -- Source of annotation: Marvin or Ruth Sackner.

Esther K Smith was the art director and Dikko Faust did the letterpress and typography for this bookwork by Happersett. The colophon states that "This series of mathematical drawings is based on growth and decay patterns of twigs and the Fibonacci sequence," The books are entitled, "Twig," "Leaf," "Conch," "Bloeman" and "Sprout." Each page of the books is made with additional calligraphic strokes using a progressive Fibonacci sequence page by page to connote the natural history of growth of the plants mentioned in the titles.. -- Source of annotation: Marvin or Ruth Sackner.

The title abbreviations Com.Mix. stand for Communication Mixture. This book presents mainly typographic images that Kriwet collected from the American and German landscapes, e.g., signs on store fronts, directional signs, trade marks, TV screens, ideograms and logos. He also utilized multiple illustrations of early texts, maps, illustrations, ancient languages and symbols and related them to analogous contemporary images. For example, Kriwet juxtaposed one of his concrete poems arranged as a mandala with an early German poem also written this way. Another category of illustrations are documentary photographs of Kriwet working on his installation projects. Several photographs show, "Walk Talk," a work held by the Sackner Archive. The images are fully documented with notes of reference for each illustration. -- Source of annotation: Marvin or Ruth Sackner.

The translation of the text according to Matt Kelsey is "Thank you Ruth and Marvin From Wanda." The Cyrillic message repeats in smaller sizes in the spiral. This was a gift from Wanda Kownacki. -- Source of annotation: Marvin or Ruth Sackner.

The typographic layout approaches concrete poetry. -- Source of annotation: Marvin or Ruth Sackner.

The typographic layout approaches concrete poetry. Bernadette [Mayer] heads The Poetry Project in NYC. -- Source of annotation: Marvin or Ruth Sackner.

The cover design is based upon Mayan figures. -- Source of annotation: Marvin or Ruth Sackner.

This is the second edition of book first published in 1976. -- Source of annotation: Marvin or Ruth Sackner.

Ladies Typographic Union (LTU) collection is comprised of yearly calendars from 2009-2023 designed and printed by members of the LTU. The collections is organized chronologically.

The 22 poems of Octavio Paz, translated into French by Jean-Clarence Lambert, were printed on papermade paper by Milda Krasno. The title means loose or free stones and the handmade papers resemble stones. The book object was conceived by Rodolfo Krasno who also contributed a line drawing of a surrealist-like figure. -- Source of annotation: Marvin or Ruth Sackner.

An unusal typeface ws used in this poster. -- Source of annotation: Marvin or Ruth Sackner.