The title abbreviations Com.Mix. stand for Communication Mixture. This book presents mainly typographic images that Kriwet collected from the American and German landscapes, e.g., signs on store fronts, directional signs, trade marks, TV screens, ideograms and logos. He also utilized multiple illustrations of early texts, maps, illustrations, ancient languages and symbols and related them to analogous contemporary images. For example, Kriwet juxtaposed one of his concrete poems arranged as a mandala with an early German poem also written this way. Another category of illustrations are documentary photographs of Kriwet working on his installation projects. Several photographs show, "Walk Talk," a work held by the Sackner Archive. The images are fully documented with notes of reference for each illustration. -- Source of annotation: Marvin or Ruth Sackner.

The block letterforms with equal dimensions and spacings have positive/negative structures that give rise to optical effects. -- Source of annotation: Marvin or Ruth Sackner.

The translation of the text according to Matt Kelsey is "Thank you Ruth and Marvin From Wanda." The Cyrillic message repeats in smaller sizes in the spiral. This was a gift from Wanda Kownacki. -- Source of annotation: Marvin or Ruth Sackner.

The book is based upon a German translation of a Khlebnikov poem, viz. every other page has a line of poetry with two or three letters in bold type face, opposing a stylized, calligraphic-like rendering of these letters by Frenken. An original painted, calligraphic drawing by Frenken is present near the title page. -- Source of annotation: Marvin or Ruth Sackner.

The typographic layout approaches concrete poetry. -- Source of annotation: Marvin or Ruth Sackner.

The typographic layout approaches concrete poetry. Bernadette [Mayer] heads The Poetry Project in NYC. -- Source of annotation: Marvin or Ruth Sackner.

The cover design is based upon Mayan figures. -- Source of annotation: Marvin or Ruth Sackner.

This print was also published in a larger size, 30" x 18", in an edition of 100 copies. The web site of Silo-Design depicts the characters that portray the penguin image as interactive type. -- Source of annotation: Marvin or Ruth Sackner.

Highly stylized typography in the genre of the San Francisco "flower children" posters of the same period. -- Source of annotation: Marvin or Ruth Sackner.

This book consists of three booklets and a leaflet mounted within the hard covers. -- Source of annotation: Marvin or Ruth Sackner.

Campbell's comments on this book can be found in his catalogue at the Yale Center for British Art (held by the Sackner Archive). -- Source of annotation: Marvin or Ruth Sackner.

Bahr explores the background of Adagio Press' pressmark. -- Source of annotation: Marvin or Ruth Sackner.

This is the second edition of book first published in 1976. -- Source of annotation: Marvin or Ruth Sackner.

This book was illustrated by Berman and written by Frain. -- Source of annotation: Marvin or Ruth Sackner.

Ladies Typographic Union (LTU) collection is comprised of yearly calendars from 2009-2023 designed and printed by members of the LTU. The collections is organized chronologically.