Steven Heller contributed an illustrated essay "Paper Bombs - the art of psychological warfare." The issue includes "A History of Writing: Non-Alpahbetical Systems of Writing" by Jeffrey Head that describes the History of Writing mural in the Grosse Pointe, Michigan Public Library created by Herbert Matter in 1962. An A-Z of digital typefoundries is contained in this issue. Francisca Prieto describes her three dimensional book objects in an illustrated essay entitled, "Antimatter." -- Source of annotation: Marvin or Ruth Sackner.

Dennis Ichiyama contributes an essay on the Hamilton Wood Type and Printing Museum in Two Rivers, Wisconsin. -- Source of annotation: Marvin or Ruth Sackner.

Helmut Schmid contributes an essay about Kurt Hauert, "the line the form the sound." Mike Daines writes about "Latino vernacular in East Los Angeles." Steven Heller describes Rudolph de Harak in "A Playful Modernist." Mike Daines contributes "Learning from relationships - the typography e-Lexicon." Caroline Archer's essay is " St Bride and the Watford connection." -- Source of annotation: Marvin or Ruth Sackner.

Steven Heller contributes as illustrated essay "Dancing type and Music Videos" dealing with a student project in his class where the aim was to set the song to type. The results were concrete poetic expressions. Caroline Archer's essay "Body Types" charts the fascinating history of the use of the body as a message-carrier. -- Source of annotation: Marvin or Ruth Sackner.

Steven Heller contributes an illustrated essay "Wilhelm Deffke: Modern Mark Maker" that deals with an originator of the modern logograph. Caroline Archer reviews the underground magazine, "Oz." -- Source of annotation: Marvin or Ruth Sackner.

Steven Heller contributes an illustrated essay "Wilhelm Deffke: Modern Mark Maker" that deals with an originator of the modern logograph. Caroline Archer reviews the underground magazine, "Oz." -- Source of annotation: Marvin or Ruth Sackner.

This issue includes a review of Black Sparrow Press, particularly their book cover designs, a photo essay on Blackpool urban typography, the typographic designer Berthold Wolpe, the comic strip artist Will Eisner, and the cover essay on the St Bride's Printing Library. The latter collects any materials related to the printing trade. Mafaida Spencer 's essay contrasts the work of Piet Zwart" the designer" and Hendrik Werkman "the artist." The books depicted in this essay are 'Netherlands Cable Work' by Zwart and 'The Next Call' by Werkman, both held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The panphlet was designed by Nancy Dwyer. -- Source of annotation: Marvin or Ruth Sackner.

Stored with Archetype Press material. -- Source of annotation: Marvin or Ruth Sackner.

Four wooden, pie-shaped panels painted BEFORE AFTER in black are hinged to the circular wood base painted DEATH BIRTH in red. -- Source of annotation: Marvin or Ruth Sackner.

Four wooden, pie-shaped panels painted BEFORE AFTER in black are hinged to the circular wood base painted DEATH BIRTH in red. -- Source of annotation: Marvin or Ruth Sackner.

The words "LAB-ART," constructed with small, multiple, geometrical forms, e.g, rectangles trapezoids and triangles, are printed on each left sided page. The right sided pages consist of an enlarged portion of each letter with the 'R' having two different enlargements. -- Source of annotation: Marvin or Ruth Sackner.

The cover text and several pages of the catalog are printed in invisible ink which can be read using a black light. -- Source of annotation: Marvin or Ruth Sackner.

This issue depicts a stylized image of a cat captioned by a Yiddish proverb. The Yiddish is printed in the Roman alphabet. -- Source of annotation: Marvin or Ruth Sackner.