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This page refers to the tragedy of 9/11. Two of the four images are from Phillips' postcard series. The poem reads, "pasted on to the present - see it is nine - eleven - the time singular - which broke down illusion. -- Source of annotation: Marvin or Ruth Sackner.

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This page refers to the Toge, the protagonist in A Humument. There are two half portraits of a seated man. The poem reads, "in that narrative passage he sat dejected the most literal man alone - The man as photograph; - the anal man of names. sidera sideri ning - the cover man he had compiled the story man she had conceived wiht rough materials - the Journal man of the novel volume - only one half of the toge story - the man's time described." An image of the original drawing for this image is depicted in the book 'Art and Text' (2009) on page 250 that is held by the Sackner Archive. Two prints of this imageare also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

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This page refers to the power of people. The poem reads, "we men and women who are life - we are the people - the good the evil the incomplete - the good and evil, the necessary." -- Source of annotation: Marvin or Ruth Sackner.

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This page refers to love, possibly religious love. The image is a stave. The name at the bottom reads "Sterne." The poem reads, "I knew the feelings, the sentiment, of my genuine self - love is all - libera me - be bound toge by all the links of love - is the pain you preach love? - ! separa me kind minister - libera me so I shall make my service." -- Source of annotation: Marvin or Ruth Sackner.

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The text reads " Based on excerpts of skin from postcards of South Africa Rhodesia & South West Africa and of their land and skies." The Sackner Achive hold a photograph of this work. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This collage depicts a newspaper clipping of two photographs of Tom Phillips in France with Peter Greeneway and other attendees at an art and cinema festival. The left side of the collage depicts a drawing of a cubist head on green paper that Phillips made during one of the dinner events.The page is dated XVI.III.LXXXV. Synopsis of the 35 drawings/collages in this suite:he drawings are numbered, viz., in 4 (April, 1985), Phillips mentions having dinner with Marvin Sackner and the Ackermans in London when Marvin inspects the archive copy of Dante's Inferno. In 19, he notes sending original MS books to the Sackners. In 23 (April, 1986), Phillips recalls lunch with Marvin in NYC; in 24 he describes his exhibition at the Center for Book Arts and meeting with the Sackners. In 31 (March, 1987) he mentions meeting the Sackners in Miami and comments on Laffoley's Dante's Divine Comedy paintings (held by the Sackner Archive) through the article that appeared in Sulfur magazine. This work...

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This page depicts three word drawings in the top center and the large painted word APNAL with the P collaged over with torn handwritten papers. Canto V is framed at the bottom center and "the lustful" is written in graphite five times on the right hand side. On XXVII.XII.LXXXIV Phillips writes "Proof reading the T & H Dante with Hansjorg". The remainder of the handwritten text in green ink describes his work on a TV Dante. -- Source of annotation: Marvin or Ruth Sackner.

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This page is titled "Dante in Strasbourg" and in the upper tight hand corner there is a photogrphay of Phillips standing beneath a plaque at the house of Gustave Dore. This page contains newsprint collaged papers with photographs and text describing Phillips visit to Quimper and presentation with Peter Greenaway at the film festival. -- Source of annotation: Marvin or Ruth Sackner.

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Titled Dante in Winggield, Phillips writes that Astrid Furnival " has knitted me a new Dante sweater from the olive oil label etc." An actual label is collaged on the right side of this page next to a tag for Dante yarn. The newsprint is an advertisement of Dante's Inferno which is described "in the Sunday Times as stupendous, breathtakingly sumptous...epic...impressive limited de-lux edition took seven years to make." The handwritten dairy continues the tale of progress with a TV Dante. -- Source of annotation: Marvin or Ruth Sackner.

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This page is titled " I have measured out my life in coffee spoons." It contains cards, menus, bills with Phillips writing who was with him at each location. -- Source of annotation: Marvin or Ruth Sackner.

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The word Lustful is painted on the center black background with the German word Libestod up side down on the top portion and Lust on the side of the page. The top center contains the lines " Oh Ovid Byron Mills & Boon - Bring me another. Make it soon" -- Source of annotation: Marvin or Ruth Sackner.

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Titled "Dante in Rotterdam" the upper left corner contains a map of Holland. At the bottom center is a photograph of Phillips wearing his Dante sweater knitted by Astrid Furnival at Angela Flowers Gallery celebrating the publication of Dante's Inferno by Thames and Hudson. In the center section there is an ink sketch for the Quimerexhibition catalogues. The top right contains an invitation to Phillips' lecture "Dante: From Folio to Video" at the Byam Shaw school of Art. -- Source of annotation: Marvin or Ruth Sackner.

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Titled "Dante in Cambridge" this page contains a map that Phillips has annotated with his particular visits including book shops, Trinity Hall and King's College Chapel.The newsprint piece is of a medieval bound copy of The Divine Comedy which reminds Phillips of Richard Minsky's projected version. Phillips writes that Brian Eno is keen to do the music for a TV Dante . -- Source of annotation: Marvin or Ruth Sackner.

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This page is titled "to celebrate the USA publication of Inferno." It consists of eight panels of Dante in his study each version slightly bigger than the preceding one.Tthe last image also contains a very small collaged replica of the full image. -- Source of annotation: Marvin or Ruth Sackner.

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The title of this page is "Make It New" and the theme seems to be the Islamic extremism and Irish political problems.Along with newspaper articles about these topics, protest pictures of Khomeini and a Jewish star of David, Phillips writes that he is back from Tibet and China. His text continues to follow the proceedings of making a TV Dante. -- Source of annotation: Marvin or Ruth Sackner.

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Dante Among the Moderns is the title of this page. Much of the collaged material is from Sydney, Australia and from a dance production of "Hell." The upper right corner has a small photograph of Phillips. His diary notes continue to refer to his work with Peter Greenaway and others on the ideas for a TV Dante. -- Source of annotation: Marvin or Ruth Sackner.

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The title of this page is "Dante is Ireland." The newsprint articles from the Cork Examiner depicts the pilgrims at the shrine to the Virgin in Ballinspittle and the shrine. An obituary for the Dante scholar, Fr Kenelm Foster is included and a small map of Ireland. -- Source of annotation: Marvin or Ruth Sackner.

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The title of this page is "Dante in Italy - From Pisa to Florence to Gaville to Pesaro to Pistola to Peckham." The collaged elements include cards from various restaurants including Il Sasso di Dante. A photograph in the center of the page is of an Italian town and at the bottom a collaged photograph shows Tom Phillips walking in the Della Sala Market. -- Source of annotation: Marvin or Ruth Sackner.