Depicts an Eiffel Tower like image collaged from other famous buildings in history. -- Source of annotation: Marvin or Ruth Sackner.

The second copy is signed to Sara.

According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.

The original purchase price of each print was $5. -- Source of annotation: Marvin or Ruth Sackner.

Book depicts photographs of some scenes of Saint Petersburg, Russia in 1991 compared to postcard scenes from 1903. -- Source of annotation: Marvin or Ruth Sackner.

This book lists and depicts among other works all covers of issues of the eschenau summer press through 2005. -- Source of annotation: Marvin or Ruth Sackner.

The colored image of Jerusalem is outlined with hand printed Hebrew text of the entire book of Leviticus from the Testament. The main chapters of the book are written slightly larger format. -- Source of annotation: Marvin or Ruth Sackner.

This deluxe edition contains an original collage and a duplicate suite of prints on rag paper that was made in Barcelona. -- Source of annotation: Marvin or Ruth Sackner.

This book provides an illustrated tour of Little Sparta. The photographs of the garden were taken by Andrew Lawson. The Sackners purchased this book from Finlay during a visit to the garden in 2004. This is the third impression. Sir Roy Strong calls Little Sparta 'the only really original garden made in this country since 1945'. Ian Hamilton Finlay's unique creation in the Pentland Hills south of Edinburgh is a garden composed as an artwork in itself. It incorporates concrete poetry, moral polemic, philosophical reflection and a sparkling sense of humour. While Finlay's works and installations throughout Europe and North America are well documented and justly famous, this is the first book devoted solely to the garden at Little Sparta, which has been at the heart of his life's work. It offers the reader a sense of the diversity and originality of the garden along with a text that unfolds the layers of meaning it contains. -- Source of annotation: Marvin or Ruth Sackner.

The poem is by Bernstein and the illustrations and by Susan Bee. The covers were designed by Susan Bee and Philip Gallo. -- Source of annotation: Marvin or Ruth Sackner.

Each collage has a nail care instrument fixed to it. -- Source of annotation: Marvin or Ruth Sackner.

Goeritz, who was of Protestant (?) or Jewish zzzzz9/) heritage, was born in Danzig and migrated to Mexico circa WWII. According to this catalogue, Goeritz made concrete poetry between 1952 and 1966. Throughout his career, he mostly made public sculptures and practiced architecture. -- Source of annotation: Marvin or Ruth Sackner.

These are beautifully written, personal love poems from Wally to Linda Depew. -- Source of annotation: Marvin or Ruth Sackner.

Includes reproductions of several line drawings by bissett. -- Source of annotation: Marvin or Ruth Sackner.

This print depicts an image of the lungs suspended within an intricate frame. -- Source of annotation: Marvin or Ruth Sackner.

The print in the center depicts the silhoutte of a girl feeding the doves in black and white and on the background one can see the silhouttes of doves flying as depicted in black and blue. -- Source of annotation: Marvin or Ruth Sackner.