Ian Hamilton Finlay is featured in this general catalogue with 16 picture poems and photographs of fleets of model boats in his garden "Little Sparta" in Scotland. This book is stored in the Finlay materia. -- Source of annotation: Marvin or Ruth Sackner.

Ben Vautier contributes a line ink drawing which is white on the inside front cover and yellow on the facing page of a smiling man's face and the statements "moite blanc" and "je suis moitie jaune." The main section of the book is conventionally printed and list aphorisms of Ben's "Art Total" from 1965 -1997. The accompanying print was written in Ben's typical style. -- Source of annotation: Marvin or Ruth Sackner.

According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.

The rubberstamped verso reads "E.O.N. Archives. -- Source of annotation: Marvin or Ruth Sackner.

Forty-eight matching pairs of abstract design images on cards, with the words "memory" written on the verso, are to be matched in playing this game. -- Source of annotation: Marvin or Ruth Sackner.

The loose sheet is a letter to Belsey's family and friends noting that he has retired from Cardiff University in Philosophy, completed a Master's degree in Typography and Graphic Communication at Reading University and expects to be "busier than ever, reading and writing in both philosphy and typography." -- Source of annotation: Marvin or Ruth Sackner.

The poster deals with the exhibition and symposium commemorating the 100th anniversary of Stephan Mallarme's birth. The card is a photograph of the artists in Un Coup de Des performance clothing. -- Source of annotation: Marvin or Ruth Sackner.

The books in this assembling were made by Dellafiora's students at HUB Gallery. -- Source of annotation: Marvin or Ruth Sackner.

Tom Phillips writes in his brochure dealing with this series of works that he painted small pictures when he had little time while working on the translating and illustrating of Dante's Inferno. It occurred to him that he could recapture the original impression of a larger space "not by making the works bigger but by making the context in which they were to be viewed smaller." He described the small paintings set into miniature gallery walls as "National Gallery of Lilliput." -- Source of annotation: Marvin or Ruth Sackner.

Cards and objects of the same dimensions are stacked into a pyramid shaped, brightly printed, colored box. The artists and poets contributed one or several pieces to this assembling. The ceramic object made by Axel Fabry is a replica of a sunny-side up egg. The booklet is made like a sandwich. All other sheets relate to the theme of food. -- Source of annotation: Marvin or Ruth Sackner.