De Holanda was born in Recife, 11 of February of 1919. Bachelor in Legal and Social Sciences for the Law school of Recife, dedicated literature to it, to the journalism and the publishing production. He participated of the Theater of the Student of Pernambuco (TEP) and in 1936 started to write stories. He taught the History of the Brazilian Theater and Graphical Arts, in the School of Beautiful-Art of Recife. In 1954, together with Aloísio Magalhães, Jose Laurenio de Melo and others, he established the Amateur Graph, a group of artistic vanguard that had as its objective to create books as art objects. The group dissolved at the beginning of the military regimen, produced a small amount of books of drawing and printed material of good quality. In 1972, Gastão of Holland settled Rio De Janeiro. He wrote fiction and poems. He died in 1997. -- Source of annotation: Marvin or Ruth Sackner.

The author records two treks into the western mountains with landscape photographs surrounded by handwritten text and drawings relating to the scenes. Several of the photographs have hand colored additions. -- Source of annotation: Marvin or Ruth Sackner.

The unbound pages depict essays and photographic reproductions of the poets/artists works. -- Source of annotation: Marvin or Ruth Sackner.

Includes drawing of Giovanni Baroni, Vittore's son. -- Source of annotation: Marvin or Ruth Sackner.

On this proof copy of a card depicting a photograph of Finlay's sandblasted glass sculpture with a nautical scene in the background, Finlay wrote instructions to "add stand-shadow" to the bottom of the final copy. Finlay also wrote the name of Ed Wright on the verso and indicated that sand blasted should be one word. -- Source of annotation: Marvin or Ruth Sackner.

This is a photograph of a sandblasted text, glass sculpture overlying a nautical scene. The photograph was made by J.W. Lucas. -- Source of annotation: Marvin or Ruth Sackner.

Thsi is the final copy of a photograph of Finlay's sandblasted glass sculpture with a nautical scene in the background. It includes all the corrections made on the proof copy. -- Source of annotation: Marvin or Ruth Sackner.

The exhibition was curated by David Brown. -- Source of annotation: Marvin or Ruth Sackner.

This portfolio consist of images of used, crumpled condoms together with abstract images. Each of the prints is titled in letterpress (?) on the verso. -- Source of annotation: Marvin or Ruth Sackner.

Consists of collaged elements on the announcement card of First International De Poesia Viva, Figuerira Da Foz, Portugal -- Source of annotation: Marvin or Ruth Sackner.

This card was addressed to Ruth & Marvin Sackner Archive of Concrete & Visual Poetry. This card together with other Ryosuke Cohen's Brain Cells and cards are stored in a large green & black folder. -- Source of annotation: Marvin or Ruth Sackner.

This card was addressed to Epistolary Studio Farm. This card together with other Ryosuke Cohen's Brain Cells and cards are stored in a large green & black folder. -- Source of annotation: Marvin or Ruth Sackner.

Edited By Joel Lipman. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Joel Lipman. -- Source of annotation: Marvin or Ruth Sackner.

According to Agius Mailart 2010, this is the 2nd edition. -- Source of annotation: Marvin or Ruth Sackner.

This copy has an additional card by Guy Schraenen that reproduces the signatures of all the contributors. -- Source of annotation: Marvin or Ruth Sackner.

This unnumbered, unsigned copy is a varient since the colophon calls for 300 numbered copies that are signed by the editor. -- Source of annotation: Marvin or Ruth Sackner.