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Visual/verbal

 Subject
Subject Source: Sackner Database

Found in 7 Collections and/or Records:

The Alchemy of Breathing / Laffoley, Paul., 1992

 Item
Identifier: CC-59391-10002465
Scope and Contents

Alchemy is invoked to emphasize transformation, the breathing act, and labyrinths as a means of symbolizing their physical properties. Alchemy has three modes of content, viz. 1) physical: to be in rhythmic motion, e.g. either breathe or die, 2) volitional: oscillation between desire to create (expiration) or to be immortal (inspiration), 3) spiritual: derives from breathing (latin = spiritus) and no religion, philosophy or ideology can exist devoid of the notion of spirit. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992

The Phenomenology of Revelation / Laffoley, Paul., 1989

 Item
Identifier: CC-46982-49720
Scope and Contents

2700 copies were bound in soft covers. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1989

The Principles of Alchemy: A Conceptual Outline / Laffoley, Paul., 1972

 Item
Identifier: CC-07220-7362
Scope and Contents

This a photocopied facsimile of a sketchbook. The original was in black and white rendered with ink. Laffoley notes that this facsimile is complete. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1972

The Visions of History / Laffoley, Paul., 1977

 Item
Identifier: CC-07219-7361
Scope and Contents

This a photocopied facsimile of a sketchbook. The original was in ink and color with a single collage. Laffoley notes that this facsimile is incomplete. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1977

Utopia: The Conceptual Situation / Laffoley, Paul., 1973

 Item
Identifier: CC-07218-7360
Scope and Contents

This a photocopied facsimile of a sketchbook. The original was in ink and color with a extensive collaging. Laffoley notes that this facsimile is incomplete. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1973

Xanatopia / Laffoley, Paul., 1998

 Item
Identifier: CC-46984-49722
Scope and Contents

This card depicts the painting with the same title. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998