Book is designed with orange colored blank pages interspersed with tan colored pages onto which three to four line poems have been rubberstamped with blue ink. For example, one poem reads, "Ode: - The Society - of Design-Bookbinders - hide-bound." One poem in a larger font is stamped in light blue ink across two pages and reads, "We hardly see the moon anymore." -- Source of annotation: Marvin or Ruth Sackner.

Accompanied by an etching by Tapies executed especially for this limited edition. -- Source of annotation: Marvin or Ruth Sackner.

This book includes a reprint of "White Light," previously unpublished correspondence between levy and Richard Allen Morris, and levy and Robert Kelly. It also reprints editorials and book reviews by levy from his small magazines. The cover was designed by alan horvath. -- Source of annotation: Marvin or Ruth Sackner.

This book was printed by D.r. Wagner and the cover designed by Linda Bandt [Depew]. Stored in the Wally Depew box of publications. -- Source of annotation: Marvin or Ruth Sackner.

This first edition was designed by Johnny Brewton. -- Source of annotation: Marvin or Ruth Sackner.

Edited and with an introductory essay by Robin Blaser. Includes a poem portrait, "bp Nichol." -- Source of annotation: Marvin or Ruth Sackner.

The editor of this book is listed as Robert W. Cobbing, aka Bob Cobbing. -- Source of annotation: Marvin or Ruth Sackner.

The poet learns at age 48 that he has Tourette's Syndrome, a disease of uncontrollable tics and ranter. Previously, it was thought that he was just "one crazy poet." These poems depict Tourett's Syndrome through poetry. -- Source of annotation: Marvin or Ruth Sackner.

The poem is accompanied by letter pictures, fragmented test or illustrations by Hill placed on the outside margins of the pages. The bookbinding was done by Miekel And & Liz Was. -- Source of annotation: Marvin or Ruth Sackner.

The poem is accompanied by letter pictures, fragmented test or illustrations by Hill placed on the outside margins of the pages. In this version, Jake Berry has added more illustrations to the margin. This revision was first published in 1987 and digitized by Miekal And in 2007. -- Source of annotation: Marvin or Ruth Sackner.

Each poem is briefly annotated by Gray. There is also an unspecified number of unsigned copies. The publisher, Morag McAlpine, is Gray's wife. -- Source of annotation: Marvin or Ruth Sackner.

In a poem entitled "Philip Whalen Memorial .357," Nettelbeck mentions Marvin Sackner indirectly as "his one saint patron." -- Source of annotation: Marvin or Ruth Sackner.

Jack Hirschman contriburtes an introductory essay describing Glik's poems and songs as personifying the creed of Partisans against Nazism particularly in Vilna , Lithuania. "When the news of the Waqrsaw Ghetto uprising reached the Vilna ghetto, it inspired Hirsh to write his famous song-poem "Zog Nit Keynmor (Don't Ever Say)"... In a short time and with amazing speed, Hirsh Glik's song became the anthem of the Resistance: It swept through the ghettos and camps and became known as "the Song of the Partisans." -- Source of annotation: Marvin or Ruth Sackner.