Also designated La-Bas Chapbook No.1. -- Source of annotation: Marvin or Ruth Sackner.

The cover of this copy was designed by dagmaR. Sixty-five copies had "freak covers." According to an essay in Congress No.1, this book was seized by Cleveland Police for obscenity from Asphodel Book Store in 1966. -- Source of annotation: Marvin or Ruth Sackner.

This book includes poems of cut-ups begun in 1956. The method was to decide on the number of lines, clip out newspaper lines of the required number, and paste them up in an effective order to give an appearance of a conventional poem. This work antedates Gysin's 1959 cut-ups, usually attributed as the first to employ it. This book also includes cut-ups of earlier cut-ups, and permutations or mutations based on newspaper headlines but originating from phrases clipped from books. -- Source of annotation: Marvin or Ruth Sackner.

Cobbing used the structure of the original book and added poems for a performance. -- Source of annotation: Marvin or Ruth Sackner.

This book prints a selection of Branco's poems from 1963- 1974. -- Source of annotation: Marvin or Ruth Sackner.

d.a. levy was the proprietor of Renegade Press. The title poem was set in the style of e.e. cummings. The poems entitled "Sound Poems" are actually tongue-twisters. This was Heckman's only book. -- Source of annotation: Marvin or Ruth Sackner.

The poems are based on the scientific structure of crystals including diamond, emerald, glass, opal. The book was given to the Sackners at the Yale University Portuguese Concrete Poetry symposium (1995) that was organized by Keith Jackson and Johanna Drucker. -- Source of annotation: Marvin or Ruth Sackner.

One of the typed poems is a concrete poem. -- Source of annotation: Marvin or Ruth Sackner.

Includes the same collages reproduced in b & w in Quixote Vol.4 No.6. -- Source of annotation: Marvin or Ruth Sackner.