Conventional non-fiction
Subject Source: Sackner Database
Found in 299 Collections and/or Records:
northern wild roses / deth interrupts th dansing , 2005
This book is profusely illustrated with line drawings and written texts. -- Source of annotation: Marvin or Ruth Sackner.
Objects , 1960
This is the original edition later published by d.a. levy as "Objects 2." In this edition and levy's, there are the same as well as different poems. -- Source of annotation: Marvin or Ruth Sackner.
Objects 2 , 1963
Cover design by d.a.levy. Atkins is a black poet whose earlier book, "Objects" was published in 1960. In "Objects 2," there are poems that are the same and others different from "Objects." -- Source of annotation: Marvin or Ruth Sackner.
Old Negatives: four verse sequences, 1989
On the last page is a poem in which each line has a different color. It reads THE GRAVE COLOURS OF EARTH - BRIGHTEN TOWARD - AN - OPEN BOOK - OF - LIGHT UNSTAINED - BY - WORD. The Sackners visited Gray in September 2004 and saw this poem as a wall embroidery (done by a friend) hanging on a wall in his library. Both the cover of the book and the dust jacket were designed by Gray. -- Source of annotation: Marvin or Ruth Sackner.
On Learning to Live on Winter Perhaps in Hopes of Spring, 1968
Designed and printed by R. Wilson at Indiana University, Bloomington. -- Source of annotation: Marvin or Ruth Sackner.
other channels: an anthology of new canadian poetry, 1984
There is not one concrete poem in this anthology. Basmajian's poem on page 18 "On Filling Out Another Job Application" is reminescent of Jas Duke's poetry. Unfortunately, it is still timely today as this book is being catalogued (2011). -- Source of annotation: Marvin or Ruth Sackner.
Pains of Class , 1982
Adrian Mitchell wrote the introduction and images by Frans Masareel were used to illustrate this book. -- Source of annotation: Marvin or Ruth Sackner.
Palimpseste, 1990
The calligraphic text in the acquatints by Cortot alternates with the printed text of Butor. -- Source of annotation: Marvin or Ruth Sackner.
Paracutes, 1966
The cover drawing (gouache, watercolor) was made by maRa. The two issues have distinctly different images. Printed by d.a. levy who ran this press. -- Source of annotation: Marvin or Ruth Sackner.
pass th food release th spirit book, 1973
In this book, the poem "Quebec Bombers" as Jack David describes it, "begins with the phrase "dirty concrete poet' repeated twice, then changes to "the concrete is dirty dirty,' "sum like it clean what dew they ooo.' . . . the comparison presents the clean ordered life of a capitalist system and the dirty chaotic life of the lower classes." [Lori Emerson internet 2011]. -- Source of annotation: Marvin or Ruth Sackner.
Photoscript Starring White Boy, 1990
Pianostool Footnotes, 1982
Designated Jargon 94. Includes reprints of prior publications, most of which are held by the Sackner Archive in their first issuance. -- Source of annotation: Marvin or Ruth Sackner.
Pianostool Footnotes , 1982
Designated Jargon 94. Includes reprints of prior publications, most of which are held by the Sackner Archive in their first issuance. -- Source of annotation: Marvin or Ruth Sackner.
Poem For Beverly, 1968
Poem For Julie, 1967
Poema Primero, 1962
The abstract silkscreen print opposite the title page was done by Manuel Baptiste. -- Source of annotation: Marvin or Ruth Sackner.