Scope and Contents

This is an excelent source for the listing of small press, artist and poet magazines in the 1960s -1970s. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The images in this issue are photographs of puppets dressed in newsprint. These pictures are similar in content to the photograph by Claude Cahun (1936), a work held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This issue has two major themes, experimental poetry in Latin America and the point that concrete and visual poetry preceded conceptual art. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

In an essay in this issue, Sarenco continues his polemics against Conceptual Artists like Kosuth and Merz calling them the "facists of the culture." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

In an editorial in this issue, Sarenco and de Vree distinguish concrete poetry from poesia visiva. Isgro, Miccini, Perfetti, and Vaccari contribute brief statements on the significance of visual poetry. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This issue includes polemics against conceptual artists and concrete poets. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The theme of this exhibition was the alphabet. Judith Hoffberg delivered a talk at the exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This catalogue features 53 essays on international aspects of visual poetry and individual poets. There are several poets cited in the essays whose works are not depicted in the exhibition. The essays deal with such topics as Mantova and visual poetry, political poetry dealing with war, visual poetry objects, futurism and Zaum, musical aspects of visual poetry, the periodical Lotto Poetica, Neoism, Oyvind Fahlstrom, constellations, Emilio Villa, Mario Diacono, Marcel Duchamp, calligraphic aspects of visual poetry, Quebec visual poetry, Carlo Belloli, Portuguese visual poetry, poema processo, Yugoslavian visual poetry, Carlfriedrich Claus, analysis of Brazilian concrete poetry, South American visual poetry, Gruppo 70, Joan Brossa, concrete and visual poetry in Japan, concrete poetry in England, Ezra Pound, e.e. cummings, Lettrisme, visual poetry in Spain, Francesco Conz, and collections of Paolo Berardelli, Francesco Conz, Adriano Parise, and Giuseppe Verzeletti. All of these essays...

Scope and Contents

This catalogue consists of colored photographic reproductions of works on paper, one or at the most two to a page. The covers of the two volumes have identical images but Volume 1 is rendered in black and white while Volume 2 is printed in color. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book contains several essays on definitions and aspects of poesia visiva and visual poetry by its contributors. A photographic reproduction of Miccini's collage, 'Viaggio tra le nuvole' (1967), a work held by the Sackner Archive is depicted on page 148 of this exhibition catalogue and the image is depictedaccompanying this record. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The original poem by Gerz depicted in this book is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.