This CD consists of a 11 second recording of silence. The ink drawing of a silouette of a bird has been used in Broutin's lettriste drawings. -- Source of annotation: Marvin or Ruth Sackner.

This consists of a brief recording of four tracks, one of which is a dog barking. -- Source of annotation: Marvin or Ruth Sackner.

Xenakis' drawing entitled 'Encre de chine' that is depicted on one of the unnumbered pages in this book is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This copy has an additional card by Guy Schraenen that reproduces the signatures of all the contributors. -- Source of annotation: Marvin or Ruth Sackner.

This unnumbered, unsigned copy is a varient since the colophon calls for 300 numbered copies that are signed by the editor. -- Source of annotation: Marvin or Ruth Sackner.

This is Upton's account of sound poetry compositions made at Fylkingen Stockholm and presented at the National Poetry Centre in August 1972. -- Source of annotation: Marvin or Ruth Sackner.

Chopin mentions the death of his wife, Jean in 1985 "when everything stopped." Also, he adds a visit to Miami in 1985 (gave a performance at the Sackners that is not cited in the book. -- Source of annotation: Marvin or Ruth Sackner.

This CD presents the exhibition of the same title in a PowerPoint presentation that includes animation, sound, and film. -- Source of annotation: Marvin or Ruth Sackner.

This CD presents the exhibition of the same title in a PowerPoint presentation that includes animation, sound, and film. -- Source of annotation: Marvin or Ruth Sackner.

This anthology is the first to appear in Russia with such a scope and range of authors. It's purpose is to give Russians a feeling for a new phenomenon of contemporary literature and art; international sound poetry.The Set of 4 CDs represents the sound poetry productions of one hundred and ten poets from twenty-two countries, who currently are working in this area and related [the] audio-art fields. The theoretical base of the anthology includes essays by leading sound poets and researchers of this trend, dedicated both to the issues of the genre and the history of sound poetry development in different countries. This initial enterprise in sound poetry will let the Russian reader/listener trace the ongoing developments in the historical field of artistic goals that the contemporary experimental poets set for themselves. -- Source of annotation: Marvin or Ruth Sackner.

Stored on shelf with Hundertmark material. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Lilane Giraudon and Jean-Jacques Viton. Includes a section devoted to Catalan Futurist poetry. -- Source of annotation: Marvin or Ruth Sackner.

This booklet provides information on the events and times of presentations and includes a two page program for sound poetry. -- Source of annotation: Marvin or Ruth Sackner.

Lists several recent publications and recordings that are reisssues of older ones. -- Source of annotation: Marvin or Ruth Sackner.

Theodore Verweyen contributes an essay in which he compares examples of Baroque figurative poetry to examples of modern concrete poetry. Eugen Gomringer writes an essay that compares examples of modern German concrete poetry to examples from poets in other countries. -- Source of annotation: Marvin or Ruth Sackner.