The binding by Devaux consists of two mirrors with a leather spine; the title of the book is painted onto the mirror with a vertical format twice, one of the titles is a reversed image, i.e., mirror writing. The introductory essay was written by Michel Amarger. The collages in this book consist of fragments of black & white photographs with hand drawn letters, calligraphic markings and hieroglyphics. One of them uses the Hebrew letter 'aleph' as the dominant letter. -- Source of annotation: Marvin or Ruth Sackner.

The pages of this book were printed on Arches paper. There are 13 copies and two artists proofs. Broutin contributed an introductory essay. -- Source of annotation: Marvin or Ruth Sackner.

Roland Sabatier contributed a critical essay, "Commonplaces and Tautology in the Photographs of Frederique Devaux." The first seven copies of this book contain a drawing and the signed photographs, the next 10 copies only the photograph. There are two artist proofs. -- Source of annotation: Marvin or Ruth Sackner.