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The Economics of Attention / Lanham, Richard ; Cage J ; Heller S ; Higgins D ; Holzer J ; Mallarme S ; Marinetti FT ; McLuhan M ; Miller JA ; Weschler L ; Carra C ; Overly B ; Cangiullo F ; Oldenburg C ; Balla G., 2006

 Item
Identifier: CC-45815-48025

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Scope and Contents

Stephen Balbach (Amazon webite): "Lanham has been a university professor for about 40-years, Yale-educated, English lit and rhetoric. He came of age pre-computer revolution, when writing meant manual type-writers and white-out and transcription. This series of connected essays are his ideas about what the digital revolution means for the future of books, universities and what he calls "the economics of attention" - how the world operates when information is plentiful and the scarce resource are "eyeballs" (attention). We are flooded with high-quality art, news, books, movies, data of every type - it is not an "information economy" because information is as plentiful as air - the scarce resource is peoples attention. In that environment, style (the wrapping paper, the ornamentation, packaging, literary style, etc..) becomes more important than substance - style is the substance (think for example all the crazy cultural things that come out of Japan - all style, no substance). He also discusses how we interact with things: we look "at" them, or we look "through" them - ie. we enjoy them for what they are, or we analyze them. We read a novel/movie on a literary level and dissect how it was created or and historical context, or we "get lost in the book" and enjoy it for what it is. These two forces are in a constant tug of war with every object we own - cars for example, utilitarian or style (or some combo usually). In the end Lanham concludes it is the liberal arts that will save the day for they are the ones who are trained to filter (critics) and create design and style (the new substance). He also provides the most detailed and lucid explanation I've seen on why paper books have not been replaced by the digital medium."Publishers Weekly: It took 2,000 years for punctuation and spaces between words to enter written language, so can the continued evolution of how information is packaged, filtered and consumed be doubted? In this exploration of the changing economics of our information-based world, Lanham, professor emeritus of English at UCLA and author of The Electronic Word, proposes the problem with the information economy is "information doesn't seem in short supply. Precisely the opposite. We're drowning in it." Lanham posits that as society moves from a world defined by "stuff" to one defined by "fluff," people are increasingly in need of filters to weed through the information glut. Enter the arts and letters. Citing sources from the art world to Madison Avenue, Lanham delves into the increasing amount of importance placed on a product's packaging rather than the product itself. Lanham's points are strong and well-researched, as shown through his "background conversations," substitutes for endnotes included at the end of every chapter. If style is going to increasingly operate as the decision-making arbiter, Lanham should be commended on his: clear, jargon-free and forward-thinkingIt took 2,000 years for punctuation and spaces between words to enter written language, so can the continued evolution of how information is packaged, filtered and consumed be doubted? In this exploration of the changing economics of our information-based world, Lanham, professor emeritus of English at UCLA and author of The Electronic Word, proposes the problem with the information economy is "information doesn't seem in short supply. Precisely the opposite. We're drowning in it." Lanham posits that as society moves from a world defined by "stuff" to one defined by "fluff," people are increasingly in need of filters to weed through the information glut. Enter the arts and letters. Citing sources from the art world to Madison Avenue, Lanham delves into the increasing amount of importance placed on a product's packaging rather than the product itself. Lanham's points are strong and well-researched, as shown through his "background conversations," substitutes for endnotes included at the end of every chapter. If style is going to increasingly operate as the decision-making arbiter, Lanham should be commended on his: clear, jargon-free and forward-thinking -- Source of annotation: Marvin or Ruth Sackner.

Dates

  • Creation: 2006

Creator

Extent

0 See container summary (1 hard cover book (312 pages) in dust jacket) ; 23.5 x 16 x 3 cm

Language of Materials

From the Collection: English

Physical Location

shelf alphabeti

Custodial History

The Sackner Archive of Concrete and Visual Poetry, on loan from Ruth and Marvin A. Sackner and the Sackner Family Partnership.

General

Published: Chicago, Illinois : University of Chicago Press. Signed by: Adam Corson Finnerty (l.r.- near title page). Inscription: For Ruth & Marvin, A new and much talked-about book that reads like a manifesto for your collection. In other words, a scholar catching up with what you saw years ago!. Nationality of creator: American. General: Added by: RUTH; updated by: MARVIN.

Repository Details

Part of the The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry Repository

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