The author has focused on analysis of works by Cornell that were gifts to ballerinas, actresses, poets and historic figures. Buzz Spector's cedar box is a unique collage using vintage post cards under blue plexiglas. "Spector contrasts revelation and mystery in his homage to this enigmatic artist." -- Source of annotation: Marvin or Ruth Sackner.

The author has focused on analysis of works by Cornell that were gifts to ballerinas, actresses, poets and historic figures. Cesar Trasobares has created a "cedar box with a wire lid that opens like a gate to the nostalgic garden of Cornell's collage...on the cover." The artist also uses IRS tax rulings, airline schedules and assorted Cornell-like objects. -- Source of annotation: Marvin or Ruth Sackner.

Features book length interview between J. Bory and J. Donguy. -- Source of annotation: Marvin or Ruth Sackner.

The theme of this issue is "Eggs." -- Source of annotation: Marvin or Ruth Sackner.

In 1992, Carol Diehl started to use letters, words and symbols in paintings to record events in her life. This exhibition at the Hirschl & Adler Gallery displayed 12 paintings, one for each month of the year. The rich, colorful, madala-like arrangements are reminiscent of the paintings of Alfred Jensen. -- Source of annotation: Marvin or Ruth Sackner.

This letterpress edition of Journal of Evidence Weekly Volume 138 was published on the occasion of Martin Wilner's exhibition, "More Drawings about History and Evidence," at the Pierogi Gallery in Brooklyn, New York from January 4 through February 4, 2008. The Sackner Archive lent three of their original Wilner drawings to the exhibition. The Archive also holds a unique book of subway drawings with a different cast of characters seated on the train, Journal of Evidence Weekly Volume 122. The books are visual chronicles of Wilner's trips from his house to his office (he is a practicing phychiatrist) on the New York subway. He draws portraits of his fellow passengers adn records their conversations in cartoon bubbles as he evesdrops on them. Running across the top of the drawings and meandering through someof the drawings are the names of the subway stops where the action took place. -- Source of annotation: Marvin or Ruth Sackner.

This is a visual chronicle of Wilner's trips from his house to his office (he is a practicing psychiatrist) on the New York subway. He draws portraits of his fellow passengers and records their conversations in cartoon bubbles as he evedrops on them. Running across the top of the drawings and meandering through some of the drawings are the names of the subway stops where the actions took place. He depicts a Rabbi with the Hebrew prayer Alenu making up his beard on one of the pages. -- Source of annotation: Marvin or Ruth Sackner.

The book consists of brief new articles that document an absurd event. The black paper cut-out illustrations by Diana Bryan are stylistically like those of the artist, Kara Walker, who made such work in the mid to late nineties. -- Source of annotation: Marvin or Ruth Sackner.

Most of the illustrations by Harrison depict non-erotic frontal nudity. This book is also designated Jargon 110. -- Source of annotation: Marvin or Ruth Sackner.

In one of Olbrich's pieces in this exhibition, he lists collections in a piece, entitled "art is where you find it" that have an ongoing subscription to his works (Auf Dauer) and includes a reproduction of the Sackner Archive drawing among them. -- Source of annotation: Marvin or Ruth Sackner.

This work by Wally Depew was designed by Linda Depew and issued in 26 lettered copies. The letter assignation was done on a post-it on the verso of the folder as well as on the colophon. The colored paper assemblage was inserted into the junction for the fastening of the paper folder. Depew designated the works in this series as Artist's Photobooks. Several of the images have been computer manipulated. -- Source of annotation: Marvin or Ruth Sackner.

spence writes a stream of consciousness account of the beginning of the earth with pseudo-scientific illustrations. -- Source of annotation: Marvin or Ruth Sackner.

The theme of this exhibition was tools. -- Source of annotation: Marvin or Ruth Sackner.