This is a reprint of an article on the contemporaneous state of concrete poetry in the UK. -- Source of annotation: Marvin or Ruth Sackner.

Photographic portraits of 101 contemporary American poets are matched with their personal, handwritten signed prose, poetic statements, and/or drawings. -- Source of annotation: Marvin or Ruth Sackner.

This book is a collection of recipes, biographies and illustrations from artists in New York and Europe. -- Source of annotation: Marvin or Ruth Sackner.

Perneczky bound 24 books with colored ribbons based on fractal theory. He chose the number 24 as an homage to J.S. Bach's "Well Tempered Clavichord." -- Source of annotation: Marvin or Ruth Sackner.

Kostelanetz writes that "this book differs from most other writing about Cage in emphasizing his professional adventurousness, acknowledging not only his music but his theater, writing, radio, visual art, political philosophy, and much else, all reflecting a career based upon artistic (and thus artists') freedom...In its variety and its departures from expository conventions thirty Years is probably a more Cagean book than a measured continuous exposition." The design of this book utilizes page numbering through overlaying each page of text with a large gray number. -- Source of annotation: Marvin or Ruth Sackner.

The Sackners attended this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

This issue includes a lengthy interview with the Fluxus artist, Jeff Perkins. The latter collaborated with Guy de Cointet in performances in Los Angeles. Marvin Sackner is mentioned as giving a lecture at the University of the Arts in Philadelphia for the 10th anniversary of the master of fine arts in book arts and printmaking program. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Judith Hoffberg. This issue profiles Coach House Press through interviews with Stan Bevington and Coracle Press with Simon Cutts. The exhibition, "Lettrisme: Into the Present," at University of Iowa Museum is mentioned. Most of the works were lent by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue lists Fluxus publications as well as individual and group exhibitions of conceptual art . -- Source of annotation: Marvin or Ruth Sackner.

This artist group prints catalogues of their own bookwork. -- Source of annotation: Marvin or Ruth Sackner.

Besides the score, there is an image reminiscent of Ying/Yang at the top. -- Source of annotation: Marvin or Ruth Sackner.

The catalogue Iincluded an interview of Chopin by Zurbrugg and a series of brief reminsciences submitted by friends of Chopin including Marvin Sackner. Nicholas Zurbrugg's nationality is Swiss-Australian. -- Source of annotation: Marvin or Ruth Sackner.

Includes a section by artists who recall experiences with Duchamp. -- Source of annotation: Marvin or Ruth Sackner.

This is a well illustrated catalogue of the early 20th century avant garde books. -- Source of annotation: Marvin or Ruth Sackner.