Listed in the catalogue and held by the Sackner Archive are the following: SMS, For Reading Out Loud by Lissitzky, Wendigen with cover by Lissitzky, Ledentu le Phare by Iliazd, Fizzles by Johns, La Fin du Monde by Leger, The Strange Case of Dr. Jekyll and Mr. Hyde and Oiseaux and The Metamorphosis by Didier Mutel, and Architectural Fictions by Chernikov. -- Source of annotation: Marvin or Ruth Sackner.

The text is taken from John Cage's writings, the drawings were made by Barbara Fahrner, the printing was done by Philip Gallo, and the binding was done by Daniel Kelm. Stored with Barbara Fahrner material. -- Source of annotation: Marvin or Ruth Sackner.

This book illustrates a collection of 255 music manuscripts whose selection by Cage was determined by circumstances. The text was the result of I-Ching chance operations which determined how many words were to be written by or about the 269 composers. Not only the number of words and the author, but the typography too - letter size, intensity and typeface - were all determined by chance operations. Alison Knowles served as co-editor and also designed the book. -- Source of annotation: Marvin or Ruth Sackner.

This book illustrates a collection of 255 music manuscripts whose selection by Cage was determined by circumstances. The text was the result of I-Ching chance operations which determined how many words were to be written by or about the 269 composers. Not only the number of words and the author, but the typography too - letter size, intensity and typeface - were all determined by chance operations. Alison Knowles served as co-editor and also designed the book. The book is missing the dust jacket. it is complementary to another book held by the Sackner Archive of experimental music scores, "Spartito Preso" (1980) that emphasizes Italian composers. -- Source of annotation: Marvin or Ruth Sackner.

Exhibition was curated by Ranier Crone. -- Source of annotation: Marvin or Ruth Sackner.

This book is a collection of essays on Liberature and James Joyce's works held on Bloomsday in Krakow in 1999 and 2000. An English summary appears at the end of the book. The editor in her essay makes the point that all Joyce's books go round in circles beginning and ending with the same themes: family, death, resurrection or rebirth. The cover depicts a reproduction of Drozd's room installation of letters that was shown in the Beyond Geometry exhibition, LACMA and Miami Museum of Art 2004. -- Source of annotation: Marvin or Ruth Sackner.

This anthology of poems for most part published in the 60s representing four present tendencies of poetry-Metapoetry: the Poetry of changes, Language Happenings (Concrete & Intermedia Poetry), Found Poetry & the 'Poetry of Survival. -- Source of annotation: Marvin or Ruth Sackner.

This book was published in an edition of 20 copies with almost identical content. The differences relate to minor use of newspaper clippings and offset photographs from periodicals in the collage material. Further, since the collage material was glued onto the pages, an imprecise process, all of the books are slightly different. -- Source of annotation: Marvin or Ruth Sackner.

In this work of cultural criticism, Weiss explores the meaning of radio to the modern imagination by weaving together cultural and technological history. His investigation reveals how radiophony transforms expression. He presents new perspectives on the avant-garde radio experiments of Antonin Artaud and John Cage. A great deal of attention is paid to sound poetry.The book was designed by Richard Eckersley with high usage of Italic typefaces. -- Source of annotation: Marvin or Ruth Sackner.