This exhibition consists mainly of Fluxus instructional drawings, writings and typings. -- Source of annotation: Marvin or Ruth Sackner.

Includes several illustrations of editions published by Francesco Conz and Sarenco. -- Source of annotation: Marvin or Ruth Sackner.

Jerome Rothenberg contributes a pre-face in which he writes that "Footnotes, presented here, is the accounting of where Alison Knowles' feet (and hands and mind) have taken her." The pages of this book are reproductions of notebook pages dating from 1975 to 1995, inscribed and collaged by Knowles. As Knowles herself stated, "It is important to remember that we are free to make art and poetry out of anything: A loaf of bread, some beans, a hasty jotting on the train." -- Source of annotation: Marvin or Ruth Sackner.

The introduction of this book by Cage has an experimental typographic layout. The remainder consists of a standard layout of questions and answers. -- Source of annotation: Marvin or Ruth Sackner.

The books listed were from Fuller's library and often inscribed to him. -- Source of annotation: Marvin or Ruth Sackner.

The poems are based on chance operations as used by John Cage. -- Source of annotation: Marvin or Ruth Sackner.

These facsimile notebooks in Brecht's handwriting are studies for his performance pieces, critical writings, experimental musical scores, poem objects and chance images. One volume is a replica of Brecht's class notes from the summer of 1958 taught by John Cage. Dieter Daniels was the editor with the collaboration of Hermann Braun. -- Source of annotation: Marvin or Ruth Sackner.

Bernie Toale describes "the edible drawings of John Cage" in an essay. -- Source of annotation: Marvin or Ruth Sackner.

This drawing appears to be a flow chart for a computer program. -- Source of annotation: Marvin or Ruth Sackner.

The subjects of the tape cassettes are Questions and Answers, and, Reading Mesostic IV. They are stored in the Cage portfolio box with other material. -- Source of annotation: Marvin or Ruth Sackner.

This work was planned for publication in 200 copies in a handwritten version. This version of the poem was never published but a modified manuscript version led to publication in a typeset version by Zora Gallery in 1964. This book written in the style of Mallarme's "Un Coup De Des," and entitled Interchange for John Cage is also held by the Sackner Archive. The word 'frammis" present in this poem is a slang word for a technical term unknown to the reader, e.g., its synonym "what you may call it." -- Source of annotation: Marvin or Ruth Sackner.

This story about a day spent driving an automobile on a Los Angeles freeway was designed in the style of Mallarme's Un Coup de Des. The Sackner Archive also holds the archive for this work. The first 22 copies were signed by Hirschman; this copy is signed and inscribed but is out of series. The design and typography were done by John Brandi and Harold Schwarm. -- Source of annotation: Marvin or Ruth Sackner.

This story is about a day spent driving an automobile on a Los Angeles freeway was designed in the style of Mallarme's Un Coup de Des. The Sackner Archive also holds the archive for this work. One typed manuscript has the layout but not the typographic appearance of the published work. The other two that are handwritten provide that appearance. The basis for the writing of this work is discussed by Hirschman in Kulchur No.14, a periodical held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.