Cage, John
Dates
- Existence: 1912-09-05 - 1992-08-12
Found in 279 Collections and/or Records:
Liste 3/92 (4'33") / Bisson-Millet, Paule-Leon ; Cage J ; Brecht G ; Spoerri D ; Shiomi M ; Maciunas G ; Knowles A ; Higgins D ; Saito T ; Williams E ; Ben ; Filliou R ; Vostell W ; Young L., 1992
Contains major listing of works by John Cage. -- Source of annotation: Marvin or Ruth Sackner.
Liste 5/92 / Bisson-Millet, Paule-Leon ; Acconci V ; Badura M ; Cage J ; Gette PA ; Knizak M ; Roth D ; Phillips T ; Spoerri D ; MacLow J ; Hausmann R., 1992
Liste 6/91 / Bisson-Millet, Paule-Leon ; Hains R ; Filliou R ; Cage J ; Broodthaers M ; Olbrich JO ; Ruhm G ; Ben ; Higgins D., 1991
Liste 6/92 (Parallel of Life and Art) / Bisson-Millet, Paule-Leon ; Hugnet G ; Finlay IH ; Cage J ; Williams E ; Filliou R ; Ben ; Broodthaers M ; Villegle J ; Gette PA ; Roth D ; Andre C ; Arias-Misson A., 1992
Liste 6/93: Fluxus: Making Tracks / Bisson-Millet, Paule-Leon ; Brecht G ; Cage J ; Dupuy J ; Flynt H ; Hansen A ; Higgins D ; Johnson R ; Knizak M ; MacLow J ; Ono Y ; Ben ; Gette PA ; Williams E., 1993
Literally Speaking / Holtberg, Teddy, editor ; Almlof, Karin, editor ; Lora-Totino A ; Cage J ; Cobbing B ; Chopin H ; Gomringer E ; Heidsieck B ; Mon F ; Ruhm G ; Claus CF ; Dufrene F ; Hanson S ; Hodell A ; Johnson BE ; Rothenberg J ; Fahlstrom O ; Bodin LG ; Laaban I., 1993
Livres D'Artistes, Mulitples, Documentation / Agius, Ramoni ; Agius, Juan J. ; Bentivoglio M ; Brecht G ; Cage J ; Carrion U ; Finlay IH ; Immoos F ; Williams E., 1990
Looking at Music / Johnson, Tom; Cage J; Goldberg RL; Frank P; Knowles A., 1979
M: Writings 67-72 / Cage, John ; Duchamp M., 1974
In his introductory essay, Cage describes the background for the writings in this book. He mentions that his mesostics were inspired by one of Edward Denby's birthdays. -- Source of annotation: Marvin or Ruth Sackner.
M: Writings 67-72 / Cage, John ; Duchamp M., 1974
In his introductory essay, Cage describes the background for the writings in this book. He mentions that his mesostics were inspired by one of Edward Denby's birthdays. -- Source of annotation: Marvin or Ruth Sackner.
Mail Connection 1 / Crozier, Robin, editor; Cage J., 1981
Mainframe Experimentalism / Higgins, Hannah B, editor ; Kahn, Douglas, editor ; Williams E ; Andersen E ; Bellos D ; Lucier A ; Rosen M ; Higgins D ; Maclow MM ; Perec G ; Tenney J ; Knowles A ; Noel A ; MacLow J ; LeWitt S ; Haacke H ; Mohr M ; Nake F ; Cage J ; Paik NJ ; Adrian M ; Balestrini N ; Themerson S ; Metzger GC ; VanDerBeck S., 2012
Amazon.com: Mainframe Experimentalism challenges the conventional wisdom that the digital arts arose out of Silicon Valley's technological revolutions in the 1970s. In fact, in the 1960s, a diverse array of artists, musicians, poets, writers, and filmmakers around the world were engaging with mainframe and mini-computers to create innovative new artworks that contradict the stereotypes of "computer art." Juxtaposing the original works alongside scholarly contributions by well-established and emerging scholars from several disciplines, Mainframe Experimentalism demonstrates that the radical and experimental aesthetics and political and cultural engagements of early digital art stand as precursors for the mobility among technological platforms, artistic forms, and social sites that has become commonplace today.s -- Source of annotation: Marvin or Ruth Sackner.
Maman / Hubaut, Joel; Cage J; Gerz J; Dupuy J., 1978
Preparatory drawing for an announcement of performance by Hubaut at L'Ancienne Poste, Calais. -- Source of annotation: Marvin or Ruth Sackner.
mantrascore for john cage (070368) / Houedard, Dom Sylvester; Phillips T; Eno B; Tilbury J; Cage J., 1968
Houedard writes next to the title," really to be played on 4 foghorns - one each of 4 islands." Other instructions are for playing with variations of the letters cage and two long bars of notes also based on the name cage. -- Source of annotation: Marvin or Ruth Sackner.
Master of Several Arts / Kostelanetz, Richard; Cage J., 1979
Kostelanetz reviews "Empty Words" and "Writings through Finnegans Wake" by John Cage. -- Source of annotation: Marvin or Ruth Sackner.
Maximus Online. No.1 / Cage J., 1993
Meaford Tank Range / Owen Sound ; Smith S ; Penhale D ; Dean M ; Truhlar R ; Cage J ; Schwitters K ; Ball H., 1977
The Owen Sound group comprised Steven Smith, David Penhale, Michael Dean, and Richard Truhlar. -- Source of annotation: Marvin or Ruth Sackner.
Memories of a Collector / Panza, Giuseppe ; Michael Haggerty, translator ; Andre C ; Balla G ; Beuys J ; Cage J ; Celant G ; Darboven H ; Duchamp M ; Ernst M ; Finlay IH ; Mallarme S ; Nauman B ; Oldenburg C ; Restany P ; Schwarz A ; Weiner L ; Kosuth J ; Lichtenstein R ; Rauschenberg R ; Beuys J ; Huebler D ; Darboven H ; Dibbets J ; Long R ; LeWitt S ; Tapies A ; Mendieta A ; Siegelaub S ; Opalka R ; Barry R ; LeWitt S ; Nordman M ; Fulton H ; Twombly C ; Kawara O ; Tremlett D ; Ackling R., 2007
A collector of contemporary art since the 1950's, Giuseppe Panza has been an influencial force in the art world for more than sixty years, introducing American phenomena such as Abstract Expressionism, Minimalism, Pop Art, and Conceptualism to the museums of Europe. In a brilliant response to everyone's primary question about modern art - 'What does it mean?' - Panza shares philosopical insights and personal reflections that bridge a half-century of discovering new artists and movements. -- Source of annotation: Marvin or Ruth Sackner.
Modernism Wasn't So American After All / Kimmelman, Michael; Drozdz S; Antin E; Cage J; Feldman M; Zelevansky L; Duchamp M., 2004
This exhibition was curated by Lyn Zelevansky at the LA County Museum of Art. -- Source of annotation: Marvin or Ruth Sackner.