Scope and Contents

This catalogue includes extensive, well illustrated essays on COBRA, Gutai, Movimento Nucleare, Pataphysica, Lettrisme, Fluxus, Visual Poetry, Sound Poetry, Vienna Action Theatre, Art & Language, Mail Art, and the Social Function of Art by writers such as Roberto Melchiori, Gino Di Maggio, Vittore Baroni, and Gianni-Emilio Simonetti. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Edited by Toni Stross and Thomas Kellein, this book served as a catalogue for exhibitions in Basel and Zurich. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Nam June Paik in his interview with Nicholas Zurbrugg points out differences between the academic and creative people in video art. The layout in this issue is highly experimental with a concrete poetic sensibility. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book consists of Cage's visual prints created at the Crown Point Press. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Includes illustrations of "A Journey," silkscreen prints by Emmett Williams; the originals are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Includes illustrations of "A Journey," silkscreen prints by Emmett Williams; the originals are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The text includes a discussion of Duchamp's use of language. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Text includes discussion of Duchamp's use of language. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This catalogue consists mostly of a large number of photographs documenting Fluxus performances in Wiesbaden, West Germany. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This book deals with the history of sound and sound installations by artists across modern and contemporary art movements. It is noteworthy that Charles Cros, whose works were translated by Laura Aga-Rossi (held by the Sackner Archive), is mentioned with Edison as the co-inventor of the phonograph. Both this instrument and the radio are featured topics in this book. Includes discussion of artistic languages such as zaum and glossolalia (used by Artaud), precursors to sound poetry.Between the Covers Review: Wireless Imagination directly addresses what is perhaps the most conspicuous silence in contemporary theory and art criticism, the silence that surrounds the polyphonous histories of audio and radio art. By gathering both original essays and several newly translated documents into a single volume, editors Douglas Kahn and Gregory Whitehead provide a close audition to some of the most telling and soundful moments in the "deaf century", including the fantastic acoustic scenarios...

Scope and Contents

Exhibition was divided into five parts, Words from the Environment, Words as Sign and Structure, Words as Juxtaposition and Association, Words as Narrative, and Words as Socio-Political Commentary. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The book consists of an long essay on the history of word-image works begining with Mallarme's "Un Coup de Des..." to Concrete Poetry by A. Schug. The folding of the book is similar to Cendrars and Delauney's "Transsiberian Railway." The latter is reproduced in color as a facsimile in the same dimensions when this catalogue is fully opened. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The mesostic line is "James Joyce." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The mesostic on each page is "James Joyce." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Internet: Masterpieces, the cliche goes, spring fully formed from the dark imaginations of temperamental geniuses moved by intuition, inspiration, and epiphany. Such revelations can certainly fuel the creative process, but so too can auspicious accidents, false starts, or even failures. In printmaking, these occurrences are typically recorded in preliminary impressions known as working proofs. Printmaking thus affords an exceptional opportunity to examine this complex and contingent aspect of the creative process. Yes, No, Maybe looks at sequences of artistic choices by juxtaposing fully resolved prints and related working proofs produced at the influential studio Crown Point Press between 1972 and 2010. This catalogue also provides background information for the proof copies of Tom Phillips Dante's "Inferno" that are held by the Sackner Archive, -- Source of annotation: Marvin or Ruth Sackner.