Edited by Henri Chopin. Translated from French to English by Jean Chopin. The 11 poems by Heidsieck were based upon paintings of Degottex.This copy is stored in the Heiiddieck box. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Henri Chopin. Translated from French to English by Jean Chopin. The 11 poems by Heidsieck were based upon paintings of Degottex. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Henri Chopin. Translated from French to English by Jean Chopin. The 11 poems by Heidsieck were based upon paintings by Degottex. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Henri Chopin and translated from the French into English by Jean Chopin. Printed by Blackmoor Head Press, Cambridge for Henri Chopin on Hayle paper. The prints by Golyscheff have the image of geometric French curves. The ordinary edition is stored in the Hausmann box. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Henri Chopin and translated from the French into English by Jean Chopin. Printed by Blackmoor Head Press, Cambridge. -- Source of annotation: Marvin or Ruth Sackner.

Translated from the French into English by Jean Chopin. The colored froissage in the Archive for this edition is rendered in b&w on the back cover. -- Source of annotation: Marvin or Ruth Sackner.

Translated from the French into English by Jean Chopin. Wkiipedia: Froissage is a method of collage developed by Czech artist Ladislav Novak in which the lines made by crumpling up a piece of paper are used to create a drawing. One major exponent of the art of froissage was Jirí Kolar. He acquired a reputation as one of the most inventive 20th-century Czech artists. A member of Group 42 and the first Czech Group of Experimental Poetry, he assisted in the development of the collage techniques of froissage and confrontage. During that time, writing poems and crumpling up pieces of paper were considered subversive activities and were discouraged by the then-powerful Communist regime. -- Source of annotation: Marvin or Ruth Sackner.

Translated from the French into English by Jean Chopin. The colored froissage in the Archive for this edition is rendered in b&w on the back cover. -- Source of annotation: Marvin or Ruth Sackner.

Text with images of insects are printed on Rives paper. This is the sole edition of this issue and might be classified as a deluxe edition by virtue of the small press run and the signatures of the artists. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Henri Chopin and translated from English into French with printing on translucent paper by Jean Chopin. This book was printed by Design and Print, London for Henri Chopin. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Henri Chopin who also contributes a critical essay on de Charmoy's work. Translated from the English into French by Jean Chopin. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Henri Chopin who also contributes a critical essay on de Charmoy's work. Translated from the English into French by Jean Chopin. -- Source of annotation: Marvin or Ruth Sackner.

Translated into French by Jean Chopin. Printed on Hayle paper. -- Source of annotation: Marvin or Ruth Sackner.

Translated from English into French by Jean Chopin. -- Source of annotation: Marvin or Ruth Sackner.

The print depicts a photograph of Davies with the grill hanging from his head by red string. The caption at the bottom of the print provides instructions for playing this found instrument that accompanies the image. The top of the print depicts drawings of the right and left ears that have a single perforation for supporting the grill with the string for framing. -- Source of annotation: Marvin or Ruth Sackner.

The print depicts a photograph of a seated pope with collaged elements of a female torso in the opening of the papal robe and the body of nude ancient stature pointing his arm at the pope's forehead. A paper doily is collaged below the papal image. -- Source of annotation: Marvin or Ruth Sackner.

The print depicts a drawing of a topless women in a mirror joined by the lower half of her body viewed from the rear. -- Source of annotation: Marvin or Ruth Sackner.

The print idepicts a photograph of Mao along with a photograph of a nude woman collaged with images of eyes and vaginas. The text deals with Mao's appropriation of women in his communist regime. -- Source of annotation: Marvin or Ruth Sackner.

The print idepicts a photograph of Mao along with a photograph of a nude woman collaged with images of eyes and vaginas. The text deals with Mao's appropriation of women in his communist regime. -- Source of annotation: Marvin or Ruth Sackner.

The print depicts a line drawing of a self-portrait head. A letter to Chopin from Janco is reproduced below it in white ink on a gray background. -- Source of annotation: Marvin or Ruth Sackner.