This record is No.7 of a sound poetry series entitled "Radiotaxi: vibrazioni del sonoro." It was reissued in a CD format in 2003 by Al Dante. -- Source of annotation: Marvin or Ruth Sackner.

This collection of essays was published to honor Henri Chopin at the 18th Marche de la Poesie, Place Sainat-Sulpice, Paris, June 2000. The book also reproduces two typewriter poems by Chopin. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition and catalogue were organized as a memorial to Dufrene who died in 1982. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue doocuments the first major retrospective of Hausmann's work for the exhibition that was shown in the three countries in which Hausmann lived, France, Germany and Spain (Ibiza). Several scholary essays are included in the catalogue tracing his early years as a Dadaist, collages and photomontages, the photographic works, sound poetry, abstract paintings and later Dada works. Chistopher Phillips essay, "In the Chaotic Cave of the Mouth," describes Hausmann's sound poems, which are considered "among the most difficult and perplexing" of this "recondite genre." -- Source of annotation: Marvin or Ruth Sackner.

This issue served as a catalogue for an exhibition of the Ou publications. -- Source of annotation: Marvin or Ruth Sackner.

This issue served as a catalogue for an exhibition of the Ou publications. The "deluxe" edition was signed by Chopin. -- Source of annotation: Marvin or Ruth Sackner.

This book is an homage to Francesco Conz. The editors are Hannah Stegmayer and Toni Stegmayer. The book presents photographs of fetish items in the Conz archive in addition to the rooms and shelves filled with other archival material including artist rendered pianos. Several fetish objects are displayed by Elisabeth Wahl, a curator of the Archivio Conz (pages 86-114). -- Source of annotation: Marvin or Ruth Sackner.

Reprinted from Stereo Headphones No.5, 1972. The authors debunk the assertion of Stuart Mills who in Akros No.18, 1972 stated that the poem-poster was introduced by Ian-Hamilton Finlay. They go on to further describe the pioneers of Concrete Poetry in their opinion. Rebuttals to their conclusions by Stephan Bann and Henri Chopin are also published. Mentions that Ernest Fenellosa, who died in 1908, used the term 'concrete poetry' in an essay, 'The Chinese Character as a Medium for Poetry' in 1901. -- Source of annotation: Marvin or Ruth Sackner.

Kostelanetz defines 'Text-sound' to mean "language unspecific in pitch, which coheres in terms of sound, rather than syntex or semantics." This book consists of scores, manifestos, self-interviews, scripts, performance instructions, critical essays, and theoretical remarks. In Walter Abish's three page story, "Auctioning Australia," all the words begin with the letter 'a.' Kenneth King's "Word Raid" consists of seven pages of tongue twisters. The dust jacket depicts a sound poem by Bliem Kern. -- Source of annotation: Marvin or Ruth Sackner.

Kostelanetz defines 'Text-sound' to mean "language unspecific in pitch, which coheres in terms of sound, rather than syntex or semantics." This book consists of scores, manifestos, self-interviews, scripts, performance instructions, critical essays, and theoretical remarks. In Walter Abish's three page story, "Auctioning Australia," all the words begin with the letter 'a.' Kenneth King's "Word Raid" consists of seven pages of tongue twisters. The cover depicts a sound poem by Bliem Kern. -- Source of annotation: Marvin or Ruth Sackner.

From his personal collection, Celant mounted an exhibition of record covers as artworks that also featured sound poetry. He includes a definitive discography from 1927-1977 and a listing of record producers. -- Source of annotation: Marvin or Ruth Sackner.

The cover of the compact disc case contains a rounded, typewriter poem print formed by heavy overtyping of the letter "b" in its upper half and the letter "c" in its lower half. In its upper half, Chopin has typed a line of text, "B.C.- vous pour une musique neuve." The postcards are computer images of Henri Chopin's voice. In the brochure, Battier explains how audiopoems become music through the computer. He comments: "I want to invent the sound poet's voice as music." -- Source of annotation: Marvin or Ruth Sackner.

The cover of the compact disc case contains a rounded, typewriter poem print formed by heavy overtyping of the letter "b" in its upper half and the letter "c" in its lower half. In its upper half, Chopin has typed a line of text, "B.C.- vous pour une musique neuve." The postcards are computer images of Henri Chopin's voice. In the brochure, Battier explains how audiopoems become music through the computer. He comments: "I want to invent the sound poet's voice as music." -- Source of annotation: Marvin or Ruth Sackner.