Chopin, Henri, 1922-2008
Dates
- Existence: 1922-06-18 - 2008-01-03
Found in 128 Collections and/or Records:
3 Vitre, Edizioni di Polipoesia, No. 1: Chercher/Rumore d'Ombra, 1983
[A Henri] / Blaine, Julien; Chopin H., 1967
This print is dedicated to Henri Chopin. -- Source of annotation: Marvin or Ruth Sackner.
A Kite for & and Many %: 1990, 1990
A "La Maison Rose" / Furnival, John; Penard, Remy; Chopin, Henri., 1993
A Sort of Biography Inevitably Incomplete, 2015
Chopin mentions the death of his wife, Jean in 1985 "when everything stopped." Also, he adds a visit to Miami in 1985 (gave a performance at the Sackners that is not cited in the book. -- Source of annotation: Marvin or Ruth Sackner.
A Void, 2013
Stored in Chopin box. Amazon.com: Since the 1960s, conceptual artists Henri Chopin (Pairs-London), Guy de Cointet (Paris-Los Angeles) and Channa Horwitz (Los Angeles) have dedicated themselves to analyzing system deducing the rules and consolidating them into visible structures. This book accompanied the parallel where drawings by these three respected artists generate new meaning as the aesthetic-visual translation of early post-structuralist thought. A Void, taken from George Perec's experimental novel, which famously did not include the letter 'e' as a nod to language epistemological constraints. Riffing on this idea, the artists' works seem clearly embroiled in such systems of meaning-making. Horwitz's on the boundary of symbol and performance, while Chopin explored the line between chaos and order. de Cointet left behind an oeuvre characterized by codes and puzzles for future generations. -- Source of annotation: Marvin or Ruth Sackner.
Aux Hommes, 1969
This is a preparatory study for a poster announcing the first festival at Ingatestone, England that was published by South Street Publications in 1969. -- Source of annotation: Marvin or Ruth Sackner.
Aux Hommes, 1969
Aux Hommes: you can no longer agree to live in a world, 1969
This is an intense political/anti-religious poem decrying extremists in the world that Chopin lists in the poem and characterized them by the statement, "IT IS FORBIDDEN to be the objects of imbeciles: catholicsprotestantsbuddhistmaoiststalinistsocialists...whohaveall agreed to destroy us." -- Source of annotation: Marvin or Ruth Sackner.
Bouffe-Merde, 1968
Central image is a portrait of Charles De Gaulle flanked by word columns utilizing the repetitive typed word, bouffe (comic), and merde in a fragmented fashion near the portrait. -- Source of annotation: Marvin or Ruth Sackner.