Baroni, Vittore, 1956-
Nationality
Italian
Found in 744 Collections and/or Records:
Arte Postale!: A Deck of Postcards. No.73/Oct-Dec / Vittore Baroni ; Guy Bleus., 1995
This issue consists of a collaborative mail art project dealing with collages in which the Tarot card theme was explored, the titles being "one son, two sons, three songs," etc. through "twenty years in the crepuscule." Each image reflects the title of the poem. The poems "eleven purloined stamps and twenty years in the crepuscule" are reproduced as photocopied colored prints. Baroni used a great deal of letraset letters for his contribution. -- Source of annotation: Marvin or Ruth Sackner.
Arte Postale!: Autobiographical Issue. No.8/May / Vittore Baroni, editor ; Baroni V ; Minarelli E ; Ciullini D., 1980
Arte Postale!: Autobiographical Issue. No.8/May / Vittore Baroni, editor ; Baroni V ; Minarelli E ; Ciullini D., 1980
Arte Postale!: Autobiographical Issue. No.8/May / Vittore Baroni, editor ; Baroni V ; Minarelli E ; Ciullini D., 1980
Arte Postale!: B-Art Issue; The Risk. No.62/Jan-Dec / Vittore Baroni, Gunther Ruch, editors ; Baroni V ; Maggi R ; Ruch G ; Bleus G ; Bloch M ; Wolf-Rehfeldt R ; Perneczky G ; Pawson M ; Deisler G ; Bennett JM ; Blurr B ; Dogfish ; Salzberg B ; Padin C ; Hill C ; Leigh M ; Rutkovsky P ; Spiegelman L ; Olbrich JO ; Rocola R., 1990
Edited by Vittore Baroni. -- Source of annotation: Marvin or Ruth Sackner.
Arte Postale!: B-Art Issue; The Risk. No.62/Jan-Dec / Vittore Baroni, Gunther Ruch, editors ; Baroni V ; Maggi R ; Ruch G ; Bleus G ; Bloch M ; Wolf-Rehfeldt R ; Perneczky G ; Pawson M ; Deisler G ; Bennett JM ; Blurr B ; Dogfish ; Salzberg B ; Padin C ; Hill C ; Leigh M ; Rutkovsky P ; Spiegelman L ; Rocola R ; Olbrich JO., 1990
Edited by Vittore Baroni. -- Source of annotation: Marvin or Ruth Sackner.
Arte Postale / Baroni, Vittore., 1980
Arte Postale / Baroni, Vittore., 1997
These are photocopied images done for the cover of Baroni's book with the same title. -- Source of annotation: Marvin or Ruth Sackner.
Arte Postale / Baroni, Vittore ; Johnson R ; Padin C ; Perneczky G ; Pittore-Eurifico C ; Higgins EF-III ; Varney E ; Bzdok H ; Mittendorf H ; Diotallevi M ; Bates K ; Banana A ; Gaglione B ; Olbrich JO ; Pawson M ; Bennett JM ; Vigo EA ; Gutierrez-Marx G ; Nikonova R ; Segay S ; Ackerman A ; Summers R ; Crozier R ; Scott M ; Petasz P ; Baroni V ; Ruch G ; Cohen R ; Deisler G ; Fricker H ; Kustermann P ; Shimamoto S ; Cavellini GA ; Carrion U ; P-orridge G ; Ciani P ; Bleus G ; Galantai G ; Rehfeldt R ; Wolf-Rehfeldt R ; Janssen R ; CrackerJackKid ; Held Jjr ; Sackner RK ; Sackner MA ; Depero F ; Cangiullo F ; Picabia F ; Ben ; Friedman K ; Furnival J ; Bidner M ; Staeck K ; Jacob JP ; Huber J ; Dogfish ; Diotallevi M ; Maggi R ; Hagglund SG ; Rocola R ; Groh K ; Cleveland B ; Jackson S ; Sarmiento J ; Kempton K ; Tisma A ; Francia ; Mohammed ; Ciani P ; Frangione N., 1997
Baroni provides an in-depth discussion of mail art with sections dealing with submovements, e.g., assemblings, fluxus, xerox art, etc. and sections dealing with major figures, e.g., Ray Johnson, Robin Crozier, etc. He also mentions the Sackner Archive as a resource for mail art. -- Source of annotation: Marvin or Ruth Sackner.
Arte Postale!: Libri Dell'Utopia. No.95/Jul / Vittore Baroni, editor ; Baroni V ; Ciani P., 2008
Arte Postale!: My Own Private Internet. No.74/Jan / Vittore Baroni., 1996
Baroni in an essay, "Of Cyberwebs & Snailwebs," states that the death of Ray Johnson was a turning point in the mail art network. Points out that mail art is now collected and appreciated in academic circles at the same time that a contrary form of communication, internet surfing has now begun. However, believes that it will be "collaboration not competition, old and new media helping one another, integrated into a global tactic that should evolve [h]armoniously and lovingly." In addition, Baroni describes the making of his E.O.N. Share Piece, a work held by the Sackner Archive, as well as his experiences on the Internet. -- Source of annotation: Marvin or Ruth Sackner.
Arte Postale!: My Own Private Internet. No.74/Jan / Vittore Baroni., 1996
Baroni in an essay, "Of Cyberwebs & Snailwebs," states that the death of Ray Johnson was a turning point in the mail art network. Points out that mail art is now collected and appreciated in academic circles at the same time that a contrary form of communication, internet surfing has now begun. However, believes that it will be "collaboration not competition, old and new media helping one another, integrated into a global tactic that should evolve [h]armoniously and lovingly." In addition, Baroni describes the making of his E.O.N. Share Piece, a work held by the Sackner Archive, as well as his experiences on the Internet. -- Source of annotation: Marvin or Ruth Sackner.
Arte Postale!: My Own Private Internet. No.74/Jan / Vittore Baroni., 1996
Baroni in an essay, "Of Cyberwebs & Snailwebs," states that the death of Ray Johnson was a turning point in the mail art network. Points out that mail art is now collected and appreciated in academic circles at the same time that a contrary form of communication, internet surfing has now begun. However, believes that it will be "collaboration not competition, old and new media helping one another, integrated into a global tactic that should evolve [h]armoniously and lovingly." In addition, Baroni describes the making of his E.O.N. Share Piece, a work held by the Sackner Archive, as well as his experiences on the Internet. -- Source of annotation: Marvin or Ruth Sackner.
Arte Postale!: My Own Private Internet. No.74/Jan / Vittore Baroni., 1996
Baroni in an essay, "Of Cyberwebs & Snailwebs," states that the death of Ray Johnson was a turning point in the mail art network. Points out that mail art is now collected and appreciated in academic circles at the same time that a contrary form of communication, internet surfing has now begun. However, believes that it will be "collaboration not competition, old and new media helping one another, integrated into a global tactic that should evolve [h]armoniously and lovingly." In addition, Baroni describes the making of his E.O.N. Share Piece, a work held by the Sackner Archive, as well as his experiences on the Internet. -- Source of annotation: Marvin or Ruth Sackner.
Arte Postale!: My Own Private Internet. No.74/Jan / Vittore Baroni., 1996
Baroni in an essay, "Of Cyberwebs & Snailwebs," states that the death of Ray Johnson was a turning point in the mail art network. Points out that mail art is now collected and appreciated in academic circles at the same time that a contrary form of communication, internet surfing has now begun. However, believes that it will be "collaboration not competition, old and new media helping one another, integrated into a global tactic that should evolve [h]armoniously and lovingly." In addition, Baroni describes the making of his E.O.N. Share Piece, a work held by the Sackner Archive, as well as his experiences on the Internet. -- Source of annotation: Marvin or Ruth Sackner.
Arte Postale!, No. 49: The Miniature Issue, 1984
Arte Postale!. No.36/Dec / Bleus G ; Baroni V., 1982
Edited by Vittore Baroni. -- Source of annotation: Marvin or Ruth Sackner.
Arte Postale!. No.36/Dec / Bleus G ; Baroni V., 1982
Edited by Vittore Baroni. -- Source of annotation: Marvin or Ruth Sackner.
Arte Postale!. No.70/Mar-Apr / Baroni V ; Olbrich JO., 1995
Edited by Vittore Baroni, this issue is dedicated to the work of Jurgen Olbrich and coincides with an exhibition in Baroni's gallery, Il Soppalco. The covers have original colored photocopied prints by Olbrich. -- Source of annotation: Marvin or Ruth Sackner.
Arte Postale!. No.70/Mar-Apr / Baroni V ; Olbrich JO., 1995
Edited by Vittore Baroni, this issue is dedicated to the work of Jurgen Olbrich and coincides with an exhibition in Baroni's gallery, Il Soppalco. The covers have original colored photocopied prints by Olbrich. -- Source of annotation: Marvin or Ruth Sackner.