This was compiled from works exhibited at the Galleri Sudurgata, Reykjavik, Iceland. -- Source of annotation: Marvin or Ruth Sackner.

Depicts a black and white reproduction of a colored collage from Baroni's "Omaggio A Spatola", a suite of collages held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Depicts a black and white reproduction of a colored collage from Baroni's "Omaggio A Spatola", a suite of collages held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Work is made of pencil sharpeners in which "plastic" globe receptacles have been altered. -- Source of annotation: Marvin or Ruth Sackner.

The front cover on yellow paper stock has words, "baroni & pachetti" rubberstamped and the back cover "Book 1980." -- Source of annotation: Marvin or Ruth Sackner.

This broadside was addressed to Ruth & Marvin Sackner. -- Source of annotation: Marvin or Ruth Sackner.

This broadside in an unfolded state together with other Ryosuke Cohen's Brain Cells and cards are stored in a large green & black folder. -- Source of annotation: Marvin or Ruth Sackner.

The poem object consists of six cloth breathing masks onto which is painted "HELP!" in individual letters. -- Source of annotation: Marvin or Ruth Sackner.

The exhibition was curated by Ruggero Maggi. The essays and art works in this book all relate to the chaos and fractal theory in mathematics, art and poetry. As Angelo Bertani writes in his essay, On Apparent Order and Chaos, "What seems to be extremely significant is the artist's need (now extremely widespread) to go out from protected, appointed places and instead, contend directly with existence, with the richess of material, with the spaces of life: in this sense, the creeping crisis of painting, the growing prevalence of installations and video-works are a sign, beyond the current fashion of the will to contend with change, accident and the relative: the other names for chaos. Moreover, in a world where technology prevails, perhaps only the ways of art can inser ta fragment of liberty into the oppressive mechanism of necessity." -- Source of annotation: Marvin or Ruth Sackner.

This book consists of a sample of 42 drawings done with the aid of with carbon paper copying sheets. They were based upon images and fragments of words from Italian fashion magazines. Baroni comments, "There is an element of child-like surprise every time you lift the funny smelling carbon sheet to see the result of your work. You can never be quite sure what will appear." One original folded carbon copy drawing is placed within each booklet. -- Source of annotation: Marvin or Ruth Sackner.