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This was first printed in West Coast Line No.60 Winter Volume 42, 4: 24-35. Mancini mentions that he printed "Wheatabixy" for the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

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The booklet provides documentation of performances of this Opera as well as the libretto. The Sackners were mentioned as one of the project's supporters. -- Source of annotation: Marvin or Ruth Sackner.

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The booklet provides documentation of performances of this Opera as well as the libretto. The Sackners were mentioned as one of the project's supporters. -- Source of annotation: Marvin or Ruth Sackner.

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This issue lists members of the society along with a portrait, sometimes a short biography, and other times a manifesto. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This book was published to accompany the exhibition at the Bodleian Library from June through October 2007. "Celebrated in Italy as the 'Tre Corone' (the 'Three Crowns'), Dante, Petrarch, and Boccaccio have exerted an immense influence over Western culture...Dante especially, as author of the Divine Comedy, was conspicuous in all aspects of life, from the university classroom to the pulpit, and from the workshops of book-producers to the street...During the last two hundred years there has been an extraordinary revival of British interest in Dante...Even today, Dante's presence in our culture is far-reaching. The contemporary artist, Tom Phillips, reflects on how his own visual work fits into this centuries-old tradition of Dante illustration and scholarship, bringing us up to modern times." Phillips' essay is titled "Hershey Heaven and Dante's Hell." In it, Phillips traces the story of his work through trial and tragedy to publish his book. The essay is illustrated with several...

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This issue served as the catalogue for the exhibition at Agnes Scott College Gallery, "Book Unbound." The Sackner Archive lent 22 works to the exhibition that was curated by Cathy Byrd. -- Source of annotation: Marvin or Ruth Sackner.

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The Sackner Archive lent one book by Ito, one book by Matsutani, one book by Niikuni, and four books by Takahashi to this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

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The photograph depicts the group mentioned in the title. -- Source of annotation: Marvin or Ruth Sackner.

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In one of Olbrich's pieces in this exhibition, he lists collections in a piece, entitled "art is where you find it" that have an ongoing subscription to his works (Auf Dauer) and includes a reproduction of the Sackner Archive drawing among them. -- Source of annotation: Marvin or Ruth Sackner.

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This book derives from a series of notes, drawings, and images for a video tape of the same title. The first part consists of black and white photographs of mountains and clouds affected by the katabatic or downslope gravity winds. The second part depicts sketches of found and imaginary objects and diagrams. There are several colored photographs based on natural abstractions in this section. The stapled sheets mention that Skuber's work is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

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Lists works as contained in the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

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This is an essay written for an exhibition of Ken Friedman's illustrations of two books, viz., Ernest Robson's "Thomas Onetwo" and Dick Higgins' "The Epickall Quest of the Brothers Dichtung." Stored with Ken Friedman material. -- Source of annotation: Marvin or Ruth Sackner.

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Mentions the Sackner Archive among others as holding Dencker's work. -- Source of annotation: Marvin or Ruth Sackner.

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This catalogue depicts and annotates books that Maret printed, some of whom were written by others. It is mentioned that Maret's books are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

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The Sackner Archive is listed as holding the works of Werbachowska. -- Source of annotation: Marvin or Ruth Sackner.

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This catalogue mentions that Fahrner's works are held by Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

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This is a facsimile of the artist's book originally published in 1913, made after an original copy in the collection of the Beinecke Rare Book & Manuscript Library at Yale University. The original copy was purchased from the Sackner Archive. This edition also includes a new English translation and essay by curator Timothy Young in an accompanying book. The facsimile was reproduced from scanned images of the original and printed on Mohawk Superfine Ultrawhite Eggshell 100 text. It was letterpress scored, then hand folded like the original and assembled. The slipcase was base on the original vellum cover, which was hand-painted by Sonya Delaunay and glued to the text block. This work is stored with "Metaphor Taking Shape." -- Source of annotation: Marvin or Ruth Sackner.

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Marvin Sackner presented the opening night address entitled "jw curry's Exemplary Archive" for the symposium that also included a performance by a group of Canadian sound poets. Many of the works in this exhibition were lent from the collection of McCaffery and MacCormack. -- Source of annotation: Marvin or Ruth Sackner.

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Ruth Sackner delivered this lecture at the opening of Bob Cobbing's Exhibition "Make Perhaps this Out Sense Of Can You." It focused on the relation of Mathew Abess, the curator of the exhibition and the Sackners. -- Source of annotation: Marvin or Ruth Sackner.