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Concrete and Sound Poetry 1950-1970 / Cobbing, Bob; Fahlstrom O; Gomringer E; Nichol bp; Hanson S; Dufrene F; Wolman G; Brau JL; Chopin H; Gysin B; DeVree P; Heidsieck B; Johnson BE., 1970

 Item
Identifier: CC-17665-18033

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Scope and Contents

Cobbing describes the history of contemporary sound poetry and the techniques utilized by the poets. He concludes "The very diversity of sound poetry is in line with its emphasis on the freedom of the individual and the withering of external authority, on man as a communal and social animal, on communication as a life-giving activity, things which in this bureaucratic and techncratic age we need constantly to remember. This is Cobbing's essay for the ground-breaking exhibition, "klankteksten ? konkrete poezie visuele tesksten - sound texts ? concrete poetry visual texts - akustiche texte ? konkrete poesie visuelle texte." -- Source of annotation: Marvin or Ruth Sackner.

Dates

  • Creation: 1970

Creator

Extent

0 See container summary (4 stapled pages (photocopied)) ; pages 30 x 21 cm, in envelope 31 x 23 cm

Language of Materials

From the Collection: English

Physical Location

box shelf

Custodial History

The Sackner Archive of Concrete and Visual Poetry, on loan from Ruth and Marvin A. Sackner and the Sackner Family Partnership.

General

Published: Amsterdam, The Netherlands : Stedelijk Museum. Nationality of creator: British. General: Added by: CONV; updated by: MARVIN.

Repository Details

Part of the The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry Repository

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